1621-1678
364 An Horatian Ode
upon Cromwell’s Return from Ireland
THE forward youth that would appear
Must now forsake his Muses dear,
Nor in the shadows sing
His numbers languishing.
’Tis time to leave the books in dust,
And oil the unused armour’s rust,
Removing from the wall
The corslet of the hall.
So restless Cromwell could not cease
In the inglorious arts of peace,
But through adventurous war
Urgàed his active star:
And like the three-fork’d lightning, first
Breaking the clouds where it was nurst,
Did thorough his own side
His fiery way divide:
For ’tis all one to courage high,
The emulous, or enemy;
And with such, to enclose
Is more than to oppose.
Then burning through the air he went
And palaces and temples rent;
And Caesar’s head at last
Did through his laurels blast.
’Tis madness to resist or blame
The face of angry Heaven’s flame;
And if we would speak true,
Much to the man is due,
Who, from his private gardens, where
He lived reservàed and austere
(As if his highest plot
To plant the bergamot),
Could by industrious valour climb
To ruin the great work of time,
And cast the Kingdoms old
Into another mould;
Though Justice against Fate complain,
And plead the ancient rights in vain—
But those do hold or break
As men are strong or weak—
Nature, that hateth emptiness,
Allows of penetration less,
And therefore must make room
Where greater spirits come.
What field of all the civil war
Where his were not the deepest scar?
And Hampton shows what part
He had of wiser art;
Where, twining subtle fears with hope,
He wove a net of such a scope
That Charles himself might chase
To Carisbrook’s narrow case;
That thence the Royal actor borne
The tragic scaffold might adorn:
While round the armàed bands
Did clap their bloody hands.
He nothing common did or mean
Upon that memorable scene,
But with his keener eye
The axe’s edge did try;
Nor call’d the Gods, with vulgar spite,
To vindicate his helpless right;
But bow’d his comely head
Down, as upon a bed.
This was that memorable hour
Which first assured the forcàed power:
So when they did design
The Capitol’s first line,