Poets' Corner (The). In Westminster Abbey. The popular name given to the south corner, because some sort of recognition is made of several British poets of very varied merits. As a national Valhalla, it is a national disgrace. It is but scant honour to be ranked with Davenant, Mason, and Shadwell. Some recognition is taken of five of our first-class poets- viz. Chaucer, Dryden, Milton, Shakespeare, and Spenser. Wordsworth and Tennyson are recognised, but not Byron, Pope, Scott, and Southey. Gray is very properly acknowledged, but not Cowper. Room is found for Longfellow, an American, but none for Burns and Hogg, both Scotchmen.
Poets Laureate appointed by letters patent.
| Appointed. | Buried. | |
| BEN JONSON | 1615-6 | Westminster Abbey. |
| SIR WM. DAVENANT (!) | 1638 | Westminster Abbey. |
| JOHN DRYDEN | 1670 | Westminster Abbey. |
| THOMAS SHADWELL (!) | 1688 | |
| NAHUM TATE (!) | 1692 | |
| NICHOLAS ROWE* | 1715 | Westminster Abbey. |
| LAWRENCE EUSDEN (!) | 1718 | |
| COLLEY CIBBER* | 1730 | |
| WILLIAM WHITEHEAD (!) | 1757 | |
| THOMAS WARTON* | 1785 | |
| HENRY JAMES PYE (!) | 1790 | |
| ROBERT SOUTHEY | 1813 | |
| WM. WORDSWORTH | 1843 | |
| ALFRED TENNYSON (Lord) | 1850 | Westminster Abbey. |
The
following are sometimes included, though not appointed by letters patent: - Chaucer, Gower, John
Key, Bernard, Skelton, Rob. Whittington, Richard Edwards, Spenser, and Sam. Daniel.
(!) Five of the
fourteen known only by their names. *Three others quite third-rate poets. The remaining five were distinguished
men.
A poet laureate is one who has received a laurel crown. There were at one time “doctors laureate,”
“bachelors laureate,” etc.
Poetaster A very inferior poet. The suffix -aster is depreciative (compare “disaster”). At one time we had also “grammatic-aster,” “politic-aster,” “critic-aster,” and some others. (Italian, poetastro, a paltry poet.)
Poetical (See Aonian. )
Poetical Justice That ideal justice which poets exercise in making the good happy, and the bad unsuccessful in their evil schemes.
Poetry on the Greek Model (See Chiabreresco. )
Father of English poetry. Geoffrey Chaucer (1328-
1400); so called by Dryden. Spenser calls him “the pure well of English undefiled.” He was not the first
English poet, but was so superior to his predecessors that he laid the foundation of a new era. He is
sometimes termed “the day-starre,” and Spenser the “sun-rise” of English poetry.
Pogram A “creak-shoes,” a Puritanical starch mawworm.
Poille An Apulian horse. The horses of Apulia were very greatly valued at one time. Richard, Archbishop
of Armagh in the fourteenth century, says of St. Thomas, “Neither the mule of Spain, the courser of
Apulia, the repedo of Ethiopia, the elephant of Asia, the camel of Syria, nor the English ass, is bolder
or more combative than he.”
“Therto so horsly, and so quyk of ye,Poins One of the companions of Sir John Falstaff. (Shakespeare: 1 and 2 Henry IV.)
As if a gentil Poille hys courser were;
For certes, fro his tayl unto his cere
Nature ne art ne couthe him nought amend.”
Chaucer: Canterbury Tales, line 10,536.
Point Defined by Euclid as “that which hath no parts.” Playfair defines it as “that which has position but
not magnitude,” and Legendre says it “is a limit terminating a line;” but none of these definitions can
be called either philosophical or exact. A point is not necessarily a “limit terminating a line,” for if so a
point could not exist, even in imagination, without a line. Besides, Legendre's definition presupposes
that we know what a line is; but assuredly a “point” precedes a “line,” as a line precedes a “superficies.”
To arrive at Legendre's idea we must begin with a solid, and say a superficies is the “limit terminating
each face of a solid,” lines are the “limits terminating a superficies,” and points are the “limits terminating
a line.” In regard to Euclid's definition, we say: Ex nihilo nihil fit.
In good point (French, embonpoint,
plump.) (See Stretch a point.)
To carry one's point. To gain the object sought for. The allusion is to