Elsinore. A room in the castle.
Enter QUEEN GERTRUDE, HORATIO, and a Gentleman
QUEEN GERTRUDE
I will not speak with her.
Gentleman
She is importunate, indeed distract:
Her mood will needs be pitied.
QUEEN GERTRUDE
What would she have?
Gentleman
She speaks much of her father; says she hears
There's tricks i' the world; and hems, and beats her heart;
Spurns enviously at straws; speaks things in doubt,
That carry but half sense: her speech is nothing,
Yet the unshaped use of it doth move
The hearers to collection; they aim at it,
And botch the words up fit to their own thoughts;
Which, as her winks, and nods, and gestures
yield them,
Indeed would make one think there might be thought,
Though nothing sure, yet much unhappily.
HORATIO
'Twere good she were spoken with; for she may strew
Dangerous conjectures in ill-breeding minds.
QUEEN GERTRUDE
Let her come in.
Exit HORATIO
To my sick soul, as sin's true nature is,
Each toy seems prologue to some great amiss:
So full of artless jealousy is guilt,
It spills itself in fearing to be spilt.
Re-enter HORATIO, with OPHELIA
OPHELIA
Where is the beauteous majesty of Denmark?
QUEEN GERTRUDE
How now, Ophelia!
OPHELIA
[Sings]
How should I your true love know
From another one?
By his cockle hat and staff,
And his sandal shoon.
QUEEN GERTRUDE
Alas, sweet lady, what imports this song?