"After all there's no reason why I shouldn't go if I want to."
The struggle with himself had taken a long time, and it was getting on for seven when he entered the shop.
"I thought you weren't coming," the girl said to him, when he sat down.
His heart leaped in his bosom and he felt himself reddening. "I was detained. I couldn't come before."
"Cutting up people, I suppose?"
"Not so bad as that."
"You are a stoodent, aren't you?"
"Yes."
But that seemed to satisfy her curiosity. She went away and, since at that late hour there was nobody else at her tables, she immersed herself in a novelette. This was before the time of the sixpenny reprints. There was a regular supply of inexpensive fiction written to order by poor hacks for the consumption of the illiterate. Philip was elated; she had addressed him of her own accord; he saw the time approaching when his turn would come and he would tell her exactly what he thought of her. It would be a great comfort to express the immensity of his contempt. He looked at her. It was true that her profile was beautiful; it was extraordinary how English girls of that class had so often a perfection of outline which took your breath away, but it was as cold as marble; and the faint green of her delicate skin gave an impression of unhealthiness. All the waitresses were dressed alike, in plain black dresses, with a white apron, cuffs, and a small cap. On a half sheet of paper that he had in his pocket Philip made a sketch of her as she sat leaning over her book (she outlined the words with her lips as she read), and left it on the table when he went away. It was an inspiration, for next day, when he came in, she smiled at him.
"I didn't know you could draw," she said.
"I was an art-student in Paris for two years."
"I showed that drawing you left be'ind you last night to the manageress and she was struck with it. Was it meant to be me?"
"It was," said Philip.
When she went for his tea, one of the other girls came up to him.