PALMAM QUI MERUIT FERAT to PARSON

PALMAM QUI MERUIT FERAT.—The palm belongs to him who deserves it.

The Motto on the Funeral Car of Lord Nelson, the Hero of the Nile and of Trafalgar.

PANTALOON.— The sixth age shifts
Into the lean and slipper’d pantaloon;
With spectacles on nose and pouch on side;
His youthful hose well sav’d, a world too wide
For his shrunk shank; and his big manly voice,
Turning again towards childish treble, pipes
And whistles in his sound.

Shakespeare.—As You Like it, Act II. Scene 7.

PARADISE.—The paradise of fools, to few unknown.

Milton.—Paradise Lost, Book III. Line 496.

PARAGON.—1. He is a very paramour for a sweet voice. 2. You must say paragon: a paramour is, God bless us, a thing of naught.

Shakespeare.—Midsummer Night’s Dream, Act IV. Scene 2.

Paragon’d o’ the world.

Shakespeare.—King Henry VIII. Act II. Scene 4.

PARALLEL.—He was his only neighbour.

Buckley’s Translation of Sophocles’ Tragedy of Philoctetes, Pa. 310.

None but himself can be his parallel.

Theobald.—Play of “The Double Falsehood.”

And, but herself, admits no parallel.

Massinger.—The Duke of Milan, Act IV. Scene 3.

She is herself, compared with herself:
For but herself, she hath no companion.

Machin.—The Dumb Knight, Act I. Scene 1.

And may they know no rivals but themselves.

Ben Jonson.—Sejanus, Act III. Scene 1.

Take this from me,
None but thyself could write a verse for thee.

R. Brideoake.—On Ben Jonson’s Death.

No like. We’ll be ourselves similitude.

Suckling.—Brennoralt, Act IV.

PARALLEL.—To me, there is none like you but yourself. From the Address of a grateful Hindoo to Sir William Jones; Lord Teignmouth’s Memoir of Sir William’s Life.

PARALYSED.—Oh mercy!—I’m quite analysed, for my part!

Sheridan.—The Rivals, Act IV. Scene 2.


  By PanEris using Melati.

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