Fiction  |  George Eliot  |  Mill on the Floss  |  Chapter 7

Mill on the Floss — Chapter 7 (Part 6 of 8)

and seemed to make all the air in the room alive with a new influence. Lucy, always proud of what Stephen did, went towards the piano with laughing, admiring looks at him; and Maggie, in spite of her resistance to the spirit of the song and to the singer, was taken hold of and shaken by the invisible influence - was borne along by a wave too strong for her.

But angrily resolved not to betray herself she seized her work, and went on making false stitches and pricking her fingers with much perseverance, not looking up or taking notice of what was going forward, until all the three voices united in `Let us take the road.'

I am afraid there would have been a subtle, stealing gratification in her mind if she had known how entirely this saucy, defiant Stephen was occupied with her, how he was passing rapidly from a determination to treat her with ostentatious indifference, to an irritating desire for some sign of inclination from her, some interchange of subdued work or look with her. It was not long before he found an opportunity, when they had passed to the music of `The Tempest.' Maggie, feeling the need of a footstool, was walking across the room to get one, when Stephen, who was not singing just then and was conscious of all her movements, guessed her want, and flew to anticipate her, lifting the footstool with an entreating look at her, which made it impossible not to return a glance of gratitude. And then, to have the footstool placed carefully by a too self-confident personage - not any self-confident personage, but one in particular who suddenly looks humble and anxious, and lingers, bending still, to ask if there is not some draught in that position between the window and the fireplace, and if he may not be allowed to move the worktable for her - these things will summon a little of the too ready, traitorous tenderness into a woman's eyes, compelled as she is in her girlish time to learn her life-lessons in very trivial language. And to Maggie these things had not been everyday incidents, but were a new element in her life, and found her keen appetite for homage quite fresh. That tone of gentle solicitude obliged her to look at the face that was bent towards her and to say, `No, thank you' - and once looking nothing could prevent that mutual glance from being delicious to both, as it had been the evening before.

It was but an ordinary act of politeness in Stephen; it had hardly taken two minutes; and Lucy, who was singing, scarcely noticed it. But to Philip's mind, filled already with a vague anxiety that was likely to find a definite ground for itself in any trivial incident, this sudden eagerness in Stephen, and the change in Maggie's face, which was plainly reflecting a beam from his, seemed so strong a contrast with the previous overwrought signs of indifference as to be charged with painful meaning. Stephen's voice, pouring in again, jarred upon his nervous susceptibility as if it had been the clang of sheet iron, and he felt inclined to make the piano shriek in utter discord. He had really seen no communicable ground for suspecting any unusual feeling between Stephen and Maggie - his own reason told him so, and he wanted to go home at once that he might reflect coolly on these false images till he had convinced himself of their nullity. But then again, he wanted to stay as long as Stephen stayed - always to be present when Stephen was present with Maggie. It seemed to poor Philip so natural - nay, inevitable that any man who was near Maggie should fall in love with her! And there was no promise of happiness for her if she were beguiled into loving Stephen Guest: the thought emboldened Philip to view his own love for her in the light of a less unequal offering. He was beginning to play very falsely under this deafening inward tumult, and Lucy was looking at him in astonishment, when Mrs Tulliver's entrance to summon them to lunch, came as an excuse for abruptly breaking off the music.

`Ah, Mr Philip,' said Mr Deane, when they entered the dining-room, `I've not seen you for a long while. Your father's not at home, I think, is he? I went after him to the office, the other day, and they said he was out of town.'

`He's been to Mudport on business for several days,' said Philip, `but he's come back now.'

`As fond of his farming hobby as ever, eh?'

`I believe so,' said Philip, rather wondering at this sudden interest in his father's pursuits.