his shop, the blacksmith his smithy, the servant her household work; and the mother often shut up her house and went with her children to listen to the marvelous poet. Young girls spread flowers before his pathway; and lovely women tore flowers from their dresses to crown their beloved minstrel with their offerings.

Since his appearance at Bordeaux, in 1835, when he recited his Blind Girl for a charitable purpose, he had been invited to many meetings in the neighbourhood of Agen, wherever any worthy institution had to be erected or assisted. He continued to write occasional verses, though not of any moment, for he was still dreaming of another masterpiece.

All further thoughts of poetical composition were, however, dispelled, by the threatened famine in the Lot-et-Garonne. In the winter of 1837 bread became very dear in the South of France. The poor people were suffering greatly, and the usual appeal was made to Jasmin to come to their help. A concert was advertised to be given at Tonneins, a considerable town to the north-west of Agen, when the local musicians were to give their services, and Jasmin was to recite a poem.

For this purpose he composed his 'Charity' (La Caritat). It was addressed to the ladies and musicians who assisted at the entertainment. Charity is a short lyrical effusion, not so much a finished poem as the utterings of a tender heart. Though of some merit, it looks pale beside The Blind Girl. But his choice of the subject proved a forecast of the noble uses which Jasmin was afterwards enabled to make of his poetical talents.

Man, he said in his verses, is truly great, chiefly through his charity. The compassionate man, doing his works of benevolence, though in secret, in a measure resembles the Divine Author of his being. The following is the introductory passage of the poem:-


"As we behold at sea great ships of voyagers
Glide o'er the waves to billows white with spray,
And to another world the hardy travellers convey;
Just as bold savants travel through the sky
To illustrate the world which they espy,
Men without ceasing cry, 'How great is man!'
But no! Great God! How infinitely little he!
Has he a genius? 'Tis nothing without goodness!
Without some grace, no grandeur do we rate.
It is the tender-hearted who show charity in kindness.
Unseen of men, he hides his gift from sight,
He does all that he owes in silent good,
Like the poor widow's mite;
Yet both are great,
Great above all--great as the Grace of God."
This is, of course, a very feeble attempt to render the words of Jasmin. He was most pathetic when he recounted the sorrows of the poor. While doing so, he avoided exciting their lower instincts. He disavowed all envy of the goods of others. He maintained respect for the law, while at the same time he exhorted the rich to have regard for their poorer brethren. "It is the glory of the people," he said at a meeting of workmen, "to protect themselves from evil, and to preserve throughout their purity of character."

This was the spirit in which Jasmin laboured. He wrote some other poems in a similar strain--'The Rich and Poor,' 'The Poor Man's Doctor,' 'The Rich Benefactor' (Lou Boun Riche); but Jasmin's own Charity contained the germ of them all. He put his own soul into his poems. At Tonneins, the emotion he excited by his reading of Charity was very great, and the subscriptions for the afflicted poor were correspondingly large.

The municipality never forgot the occasion; and whenever they became embarrassed by the poverty of the people, they invariably appealed to Jasmin, and always with the same success. On one occasion the Mayor wrote to him: "We are still under the charm of your verses; and I address you in the name of the poor people of Tonneins, to thank you most gratefully for the charitable act you have done for their benefit. The evening you appeared here, sir, will long survive in our memory. It excited everywhere the most lively gratitude. The poor enjoyed a day of happiness, and the rich enjoyed a day of pleasure, for nothing can be more blessed than Charity!"


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