merest tyro now understands various phenomena which the wisest of old could not fathom. The schoolboy knows why, upon high mountains, there should, on certain occasions, appear three or four suns in the firmament at once; and why the figure of a traveller upon one eminence should be reproduced, inverted, and of a gigantic stature, upon another. We all know the strange pranks which imagination can play in certain diseases — that the hypochondriac can see visions and spectres, and that there have been cases in which men were perfectly persuaded that they were teapots. Science has lifted up the veil, and rolled away all the fantastic horrors in which our forefathers shrouded these and similar cases. The man who now imagines himself a wolf, is sent to the hospital, instead of to the stake, as in the days of the witch mania; and earth, air, and sea are unpeopled of the grotesque spirits that were once believed to haunt them.

Before entering further into the history of Witchcraft, it may be as well if we consider the absurd impersonation of the evil principle formed by the monks in their legends. We must make acquaintance with the primum mobile, and understand what sort of a personage it was, who gave the witches, in exchange for their souls, the power to torment their fellow-creatures. The popular notion of the devil was, that he was a large, ill-formed, hairy sprite, with horns, a long tail, cloven feet, and dragon’s wings. In this shape he was constantly brought on the stage by the monks in their early “miracles” and “mysteries.” In these representations he was an important personage, and answered the purpose of the clown in the modern pantomime. The great fun for the people was to see him well belaboured by the saints with clubs or cudgels, and to hear him howl with pain as he limped off, maimed by the blow of some vigorous anchorite. St. Dunstan generally served him the glorious trick for which he is renowned — catching hold of his nose with a pair of red-hot pincers, till

Some of the saints spat in his face, to his very great annoyance; and others chopped pieces off his tail, which, however, always grew on again. This was paying him in his own coin, and amused the populace mightily; for they all remembered the scurvy tricks he had played them and their forefathers. It was believed that he endeavoured to trip people up, by laying his long invisible tail in their way, and giving it a sudden whisk when their legs were over it; — that he used to get drunk, and swear like a trooper, and be so mischievous in his cups as to raise tempests and earthquakes, to destroy the fruits of the earth and the barns and homesteads of true believers; — that he used to run invisible spits into people by way of amusing himself in the long winter evenings, and to proceed to taverns and regale himself with the best, offering in payment pieces of gold which, on the dawn of the following morning, invariably turned into slates. Sometimes, disguised as a large drake, he used to lurk among the bulrushes, and frighten the weary traveller out of his wits by his awful quack. The reader will remember the lines of Burns in his address to the “De’il,” which so well express the popular notion on this point —

In all the stories circulated and believed about him, he was represented as an ugly, petty, mischievous spirit, who rejoiced in playing off all manner of fantastic tricks upon poor humanity. Milton seems to have been the first who succeeded in giving any but a ludicrous description of him. The sublime pride which is the quintessence of evil, was unconceived before his time. All other limners made him merely grotesque, but Milton made him awful. In this the monks showed themselves but miserable romancers; for their object undoubtedly was to represent the fiend as terrible as possible: but there was nothing grand about