We have now done justice to the grounds for a separation of forces which divides the chief operation into several, and if the separation takes place on any of these grounds, with a distinct conception of the object, and after due consideration of the advantages and disadvantages, we shall not venture to find fault.

But if, as usually happens, a plan is drawn out by a learned general staff, merely according to routine; if different theatres of war, like the squares on a chessboard, must each have its piece first placed on it before the moves begin, if these moves approach the aim in complicated lines and relations by dint of an imaginary profundity in the art of combination, if the armies are to separate today in order to apply all their skill in reuniting at the greatest risk in fourteen days -- then we have a perfect horror of this abandonment of the direct, simple, common-sense road to rush intentionally into absolute confusion.
[ ... ]

We have still now to consider the third part of our first principle; that is, to keep the subordinate parts as much as possible in subordination.

Whilst we endeavour to refer the whole of the operations of a war to one single aim, and try to attain this as far as possible by one great effort, we deprive the other points of contact of the states at war with each other of a part of their independence; they become subordinate actions. If we could concentrate everything absolutely into one action, then those points of contact would be completely neutralised; but this is seldom possible, and, therefore, what we have to do is to keep them so far within bounds, that they shall not cause the abstraction of too many forces from the main action.

Next, we maintain that the plan of the war itself should have this tendency, even if it is not possible to reduce the whole of the enemy’s resistance to one point; consequently in case we are placed in the position already mentioned. Of carrying on two almost quite separate wars at the same time, the one must always be looked upon as the principal affair to which our forces and activity are to be chiefly devoted.

In this view, it is advisable only to proceed offensively against that one principal point, and to preserve the defensive upon all the others. The attack there being only justifiable when invited by very exceptional circumstances.

Further, we are to carry on this defensive, which takes place at minor points, with as few troops as possible, and to seek to avail ourselves of every advantage which the defensive form can give.

This view applies with still more force to all theatres of war on which armies come forward belonging to different powers really, but still such as will be struck when the general centre of force is struck.

But against the enemy at whom the great blow is aimed, there must be, according to this, no defensive on minor theatres of war. The chief attack itself, and the secondary attacks, which for other reasons are combined with it, make up this blow, and make every defensive, on points not directly covered by it, superfluous. All depends on this principal attack; by it every loss will be compensated. If the forces are sufficient to make it reasonable to seek for that great decision, then the possibility of failure can be no ground for guarding oneself against injury at other points in any event; for just by such a course this failure will become more probable, and it therefore constitutes here a contradiction in our action.

This same predominance of the principal action over the minor must be the principle observed in each of the separate branches of the attack. But as there are generally ulterior motives which determine what forces shall advance from one theatre of war and what from another against the common centre of the enemy’s power, we only mean here that there must be an effort to make the chief action overruling, for everything will become simpler and less subject to the influence of chance events the nearer this state of preponderance can be attained.

The second principle concerns the rapid use of the forces.


  By PanEris using Melati.

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