On The Olive-mount

Winter, a bad guest, sitteth with me at home; blue are my hands with his friendly hand-shaking.

I honour him, that bad guest, but gladly leave him alone. Gladly do I run away from him; and when one runneth well, then one escapeth him!

With warm feet and warm thoughts do I run where the wind is calm—to the sunny corner of mine olive- mount.

There do I laugh at my stern guest, and am still fond of him, because he cleareth my house of flies, and quieteth many little noises.

For he suffereth it not if a gnat wanteth to buzz, or even two of them; also the lanes maketh he lonesome, so that the moonlight is afraid there at night.

A hard guest is he—but I honour him, and do not worship, like the tenderlings, the pot-bellied fire-idol.

Better even a little teeth-chattering than idol-adoration! So willeth my nature. And especially have I a grudge against all ardent, steaming, steamy fire-idols.

Him whom I love, I love better in winter than in summer; better do I now mock at mine enemies, and more heartily, when winter sitteth in my house.

Heartily, verily, even when I creep into bed—there still laugheth and wantoneth my hidden happiness; even my deceptive dream laugheth.

I, a—creeper? Never in my life did I creep before the powerful; and if ever I lied, then did I lie out of love. Therefore am I glad even in my winter-bed.

A poor bed warmeth me more than a rich one, for I am jealous of my poverty. And in winter she is most faithful unto me.

With a wickedness do I begin every day: I mock at the winter with a cold bath; on that account grumbleth my stern house-mate.

Also do I like to tickle him with a wax-taper, that he may finally let the heavens emerge from ashy-grey twilight.

For especially wicked am I in the morning: at the early hour when the pail rattleth at the well, and horses neigh warmly in grey lanes—

Impatiently do I then wait, that the clear sky may finally dawn for me, the snow-bearded winter-sky, the hoary one, the white-head—

The winter-sky, the silent winter-sky, which often stifleth even its sun!

Did I perhaps learn from it the long clear silence? Or did it learn it from me? Or hath each of us devised it himself?

Of all good things the origin is a thousandfold—all good roguish things spring into existence for joy; how could they always do so— for once only!

A good roguish thing is also the long silence, and to look, like the winter-sky, out of a clear, round-eyed countenance—

Like it, to stifle one’s sun, and one’s inflexible solar will: verily, this art and this winter-roguishness have I learnt well!


  By PanEris using Melati.

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