A Municipal Report

The cities are full of pride,
Challenging each to each—
This from her mountainside,
That from her burthened beach.
—R. Kipling.
Fancy a novel about Chicago or Buffalo, let us say, or Nashville, Tennessee! There are just three big cities in the United States that are “story cities”—New York, of course, New Orleans, and, best of the lot, San Francisco.—Frank Norris.

East is East, and West is San Francisco, according to Californians. Californians are a race of people; they are not merely inhabitants of a State. They are the Southerners of the West. Now, Chicagoans are no less loyal to their city; but when you ask them why, they stammer and speak of lake fish and the new Odd Fellows Building. But Californians go into detail.

Of course they have, in the climate, an argument that is good for half an hour while you are thinking of your coal bills and heavy underwear. But as soon as they come to mistake your silence for conviction, madness comes upon them, and they picture the city of the Golden Gate as the Bagdad of the New World. So far, as a matter of opinion, no refutation is necessary. But, dear cousins all (from Adam and Eve descended), it is a rash one who will lay his finger on the map and say: “In this town there can be no romance—what could happen here?” Yes, it is a bold and a rash deed to challenge in one sentence history, romance, and Rand and McNally.

Nashville.—A city, port of delivery, and the capital of the State of Tennessee, is on the Cumberland River and on the N.C. & St. L. and the L. & N. railroads. This city is regarded as the most important educational centre in the South.

I stepped off the train at 8 p.m. Having searched the thesaurus in vain for adjectives, I must, as a substitution, hie me to comparison in the form of a recipe.

Take of London fog 30 parts; malaria 10 parts; gas leaks 20 parts; dewdrops, gathered in a brickyard at sunrise, 25 parts; odour of honeysuckle 15 parts. Mix.

The mixture will give you an approximate conception of a Nashville drizzle. It is not so fragrant as a moth-ball nor as thick as pea-soup; but ’tis enough—’twill serve.

I went to an hotel in a tumbril. It required strong self-suppression for me to keep from climbing to the top of it and giving an imitation of Sidney Carton. The vehicle was drawn by beasts of a bygone era and driven by something dark and emancipated.

I was sleepy and tired, so when I got to the hotel I hurriedly paid it the fifty cents it demanded (with approximate lagniappe, I assure you). I knew its habits; and I did not want to hear it prate about its old “master” or anything that happened “befo’ de wah.”

The hotel was one of the kind described as “renovated.” That means $20,000 worth of new marble pillars, tiling, electric lights and brass cuspidors in the lobby, and a new L. & N. time table and a lithograph of Lookout Mountain in each one of the great rooms above. The management was without reproach, the attention full of exquisite Southern courtesy, the service as slow as the progress of a snail and as good- humoured as Rip Van Winkle. The food was worth travelling a thousand miles for. There is no other hotel in the world where you can get such chicken livers en brochette.

At dinner I asked a negro waiter if there was anything doing in town. He pondered gravely for a minute, and then replied: “Well, boss, I don’t really reckon there’s anything at all doin’ after sundown.”

Sundown had been accomplished; it had been drowned in the drizzle long before. So that spectacle was denied me. But I went forth upon the streets in the drizzle to see what might be there.

It is built on undulating grounds; and the streets are lighted by electricity at a cost of $ 32,470 per annum.

As I left the hotel there was a race riot. Down upon me charged a company of freedmen, or Arabs, or Zulus, armed with—no, I saw with relief that they were not rifles, but whips. And I saw dimly a caravan of black, clumsy vehicles; and at the reassuring shouts, “Kyar you anywhere in the town, boss, fuh fifty cents,” I reasoned that I was merely a “fare” instead of a victim.


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