window, the tinkle of a guitar. I did not need to peer through the curtains to know from whom it came. First he sang a song of Tosti’s, and then the serenade from ‘Don Pasquale’:

Com’ è gentil, la notte in mezz’ Aprile.
Poi quando sarò morto, tu piangerai,
Ma ritornarmi in vita, tu non potrai.

Sentimental? Yes, sentimental to the last degree. But on the Riviera, in spring, and at night, one’s fancy turns to that sort of thing with astounding ease. I listened with unalloyed pleasure. It was like a Boccaccian echo. And as I listened I wondered whether I should ever learn what love might be. The idea of taking a course of lessons from a man who strummed on a guitar in front of my window never entered my head. The next day Fanny came to me in a state of great excitement. The guitarist, it appeared, had, with all proper and due formality, asked leave to place his coronet at my feet. Ce que j’ ai ri!

“You can hear Fanny from here. She accused me of flirting with the man. ‘You have no right,’ she said, ‘to treat him as though he were a college boy at Mt. Desert.’ What he had done to make her so vicious I never discovered. It must have been the title; a title always went to her head. Poor Fanny! That evening, when he came, she declined to be present. I had to see him alone. My dear, he was too funny. He had prepared a little speech which he got off very well, only at the end of it he lapsed into English. ‘We will loaf,’ he said, ‘we will be always loafers.’ He meant, of course, to assert that we should love and be always lovers, but the intricacies of our pronunciation were too much for him. I could have died, it was so amusing. I managed, however, to keep a straight face. ‘Marquis,’ I said, ‘I am deeply honoured, but your invitation is one that I am unable to accept.’ A more astounded man you never saw. He really thought that he had but to ask, and it would be given. He declined to take No for an answer. He said he would wait. Actually, he was so pertinacious that I had to drag Fanny up to Paris. He followed us in the next train. There was no getting rid of him at all. If he sent me one note he sent me a hundred, and notes ten pages each, at the very least. Finally, as you heard, he tried the dramatic. One afternoon, while I was out shopping, he bribed a waiter at the hotel where we lodged. When I returned, there he was, waiting for me. ‘At last,’ he cried, ‘at last we are face to face. You think I do not love. Cruel one, behold me! I love as no mortal ever loved before. See, I die at your feet!’ And there, before my very eyes, he whipped out a pistol, pulled the trigger, tumbled over, and seemed fully disposed to carry out the programme to the end. He had shot himself; there was no doubt about that; but he had shot himself in such an intelligent manner that, though there was blood enough to frighten a sensitive young person out of her wits, yet of danger there was none at all. Talk to me about comedians!…

“It was after that episode that I returned to Beacon Street. It was there that what you are pleased to call the scandal began. Fanny, whose desire to marry me off was simply epic, one day caught an Englishman; young, so she said, and good-looking. And that Englishman, she made up her mind, I should ensnare. Fanny, as you know, was possessed with an ungratified desire to pay annual visits to swell country houses on the other side. Hence, I suppose, her efforts. Having caught the Englishman, the next step was to serve him up in becoming form. To that end she gave a tentative dinner. I got to it late; in fact, I was the last to arrive. Fanny, I could see, was in a state of feverish excitement. She presented to me one or two men, whose names I did not catch, and a moment later one of them gave me his arm. When we were seated at table, and while he was sticking a chrysanthemum in his button-hole, I glanced at the card on his plate. It bore for legend Lord Alfred Harrow. It was then I took my first look at him. My dear, he was the ugliest man I have ever seen; he was so ugly that he was positively attractive. His mouth was large enough to sing a duet, but his teeth were whiter than mine.”

As she spoke she curled her lips.

“There was no hair on his face, and his features were those of a middle-aged wizard. But about him was the atmosphere of health, of strength, too, and his hands, though bronzed and sinewy, were perfect. I knew he was a thoroughbred at once. ‘And how do you like the States?’ I asked. He was squeezing some lemon on an oyster, and I noticed that when some white wine was offered him he turned the glass upside down. ‘Very much,’ he answered; ‘and you?’ There was more of that sort of thing, and finally


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