‘A sword-blade pierced me in my sleep.’
    And now they all wheel suddenly and fly
    To the other side, and higher in the air.
    And now a laggard with a woman’s head
    Comes crying, ‘I have run upon the sword.
    I have fled to my beloved in the air,
    In the waste of the high air, that we may wander
    Among the windy meadows of the dawn.’
    But why are they still waiting? why are they
    Circling and circling over the masthead?
    What power that is more mighty than desire
    To hurry to their hidden happiness
    Withholds them now? Have the Ever-living Ones
    A meaning in that circling overhead?
    But what’s the meaning? [He cries out.] Why do you linger there?
    Why linger? Run to your desire,
    Are you not happy wingèd bodies now?
[His voice sinks again.]
    Being too busy in the air and the high air,
    They cannot hear my voice; but what’s the meaning?
[The Sailors have returned. Dectora is with them.]
Forgael [turning and seeing her]. Why are you standing with your eyes upon me?
    You are not the world’s core. O no, no, no!
    That cannot be the meaning of the birds.
    You are not its core. My teeth are in the world,
    But have not bitten yet.
Dectora.                      I am a queen,
    And ask for satisfaction upon these
    Who have slain my husband and laid hands upon me.
[Breaking loose from the Sailors who are holding her.]
    Let go my hands!
Forgael.                      Why do you cast a shadow?
    Where do you come from? Who brought you to this place?
    They would not send me one that casts a shadow.
Dectora. Would that the storm that overthrew my ships,
    And drowned the treasures of nine conquered nations,
    And blew me hither to my lasting sorrow,
    Had drowned me also. But, being yet alive,
    I ask a fitting punishment for all
    That raised their hands against him.
Forgael.                      There are some
    That weigh and measure all in these waste seas—
    They that have all the wisdom that’s in life,
    And all that prophesying images
    Made of dim gold rave out in secret tombs;
    They have it that the plans of kings and queens
    Are dust on the moth’s wing; that nothing matters
    But laughter and tears—laughter, laughter, and tears;
    That every man should carry his own soul
    Upon his shoulders.
Dectora.                      You’ve nothing but wild words,
    And I would know if you will give me vengeance.
Forgael. When she finds out I will not let her go—
    When she knows that.
Dectora.                      What is it that you are muttering—
    That you’ll not let me go? I am a queen.
Forgael. Although you are more beautiful than any,
    I almost long that it were possible;
    But if I were to put you on that ship,
    With sailors that were sworn to do your will,
    And you had spread a sail for home, a wind
    Would rise of a sudden, or a wave so huge,
    It had washed among the stars and put them out,
    And beat the bulwark of your ship on mine,
    Until you stood before me on the deck—
    As now.
Dectora.        Does wandering in these desolate seas
    And listening to the cry of wind and wave
    Bring madness?
Forgael.                Queen, I am not mad.
Dectora.                      Yet say
    That unimaginable storms of wind and wave
    Would rise against me.
Forgael.                      No, I am not mad—
    If it be not that hearing messages
    From lasting watchers, that outlive the moon,
    At the most quiet midnight is to be stricken.
Dectora. And did those watchers bid you take me captive?
Forgael. Both you and I are taken in the net.
    It was their hands that plucked the winds awake
    And blew you hither; and their mouths have promised
    I shall have love in their immortal fashion;
    And for this end they gave me my old harp
    That is more mighty than the sun and moon,
    Or than the shivering casting-net of the stars,
    That none might take you from me.
Dectora [first trembling back from the mast where the harp is, and then laughing].         For a moment
    Your raving of a message and a harp
    More mighty than the stars half troubled me,
    But all that’s raving. Who is there can compel
    The daughter and the granddaughter of kings
    To be his bedfellow?
Forgael.                      Until your lips
    Have called me their beloved, I’ll not kiss them.
Dectora. My husband and my king died at my feet,
    And yet you talk of love.
Forgael.                      The movement of time
    Is shaken in these seas, and what one does
    One moment has no might upon the moment
    That follows after.
Dectora.                      I understand you now.
    You have a Druid craft of wicked sound
    Wrung from the cold women of the sea—
    A magic that can call a demon up,
    Until my body give you kiss for kiss.
Forgael. Your soul shall give the kiss.
Dectora.                      I am not afraid,
    While there’s a rope to run into a noose
    Or wave to drown. But I have done with words,
    And I would have you look into my face
    And know that it is fearless.
Forgael.                      Do what you will,
    For neither I nor you can break a mesh
    Of the great golden net that is about us.
               No, I am not mad—
    If it be not that hearing messages
    From lasting watchers, that outlive the moon,
    At the most quiet midnight is to be stricken.
Dectora. And did those watchers bid you take me captive?
Forgael. Both you and I are taken in the net.
    It was their hands that plucked the winds awake
    And blew you hither; and their mouths have promised
    I shall have love
Dectora. There’s nothing in the world that’s worth a fear.
[She passes Forgael and stands for a moment looking into his face.]
    I have good reason for that thought.
[She runs suddenly on to the raised part of the poop.]
And now
    I can put fear away as a queen should.
[She mounts on to the bulwark and turns towards Forgael.]

  By PanEris using Melati.

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