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Upon a Dying Lady
| With the old kindness, the old distinguished grace, | | She lies, her lovely piteous head
amid dull red hair | | Propped upon pillows, rouge on the pallor of her face. | | She would not have us sad
because she is lying there, | | And when she meets our gaze her eyes are laughter-lit, | | Her speech a wicked
tale that we may vie with her, | | Matching our broken-hearted wit against her wit, | | Thinking of saints and of
Petronius Arbiter. | | | | | | II | | | | | | Certain Artists bring her Dolls and Drawings | | | | | | Bring where our Beauty lies | | A new
modelled doll, or drawing, | | With a friends or an enemys | | Features, or maybe showing | | Her features when
a tress | | Of dull red hair was flowing | | Over some silken dress | | Cut in the Turkish fashion, | | Or, it may be,
like a boys. | | We have given the world our passion, | | We have naught for death but toys. | | | | | | III | | | | | | She turns
the Dolls Faces to the Wall | | | | | | Because to-day is some religious festival | | They had a priest say Mass, and
even the Japanese, | | Heel up and weight on toe, must face the wall | | Pedant in passion, learned in old
courtesies, | | Vehement and witty she had seemed; the Venetian lady | | Who had seemed to glide to some
intrigue in her red shoes, | | Her domino, her panniered skirt copied from Longhi; | | The meditative critic; all
are on their toes, | | Even our Beauty with her Turkish trousers on. | | Because the priest must have like every
dog his day | | Or keep us all awake with baying at the moon, | | We and our dolls being but the world were
best away. | | | | | | She is playing like a child | | And penance is the play, | | Fantastical and wild | | Because the end of day | | Shows her that some one soon | | Will come from the house, and say | | Though
play is but half done | | Come in and leave the play. | | | | | | She has not grown uncivil | | As narrow
natures would | | And called the pleasures evil | | Happier days thought good; | | She knows herself a woman, | | No red and white of a face, | | Or rank, raised from a common | | Unreckonable race; | | And how should her
heart fail her | | Or sickness break her will | | With her dead brothers valour | | For an example still? | | | | | | When her soul flies to the predestined dancing-place | | (I have no speech but symbol, the pagan
speech I made | | Amid the dreams of youth) let her come face to face, | | Amid that first astonishment, with
Granias shade, | | All but the terrors of the woodland flight forgot | | That made her Diarmuid dear, and some
old cardinal | | Pacing with half-closed eyelids in a sunny spot | | Who had murmured of Giorgione at his latest
breath | | Aye, and Achilles, Timor, Babar, Barhaim, all | | Who have lived in joy and laughed into the face
of Death. | | | | | | VII | | | | | | Her Friends bring her a Christmas Tree | | | | | | Pardon, great enemy, | | Without an angry thought | | Weve carried in our tree, | | And here and there have bought | | Till all the boughs are gay, | | And she may
look from the bed | | On pretty things that may | | Please a fantastic head. | | Give her a little grace, | | What if a
laughing eye | | Have looked into your face? | | It is about to die. |
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By PanEris
using Melati.
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