“Indeed,” cried Rosamond, “she is clever enough to be a governess in a high family, papa.”

I thought I would far rather be where I am than in any high family in the land. Mr. Oliver spoke of Mr. Rivers—of the Rivers family— with great respect. He said it was a very old name in that neighbourhood; that the ancestors of the house were wealthy; that all Morton had once belonged to them; that even now he considered the representative of that house might, if he liked, make an alliance with the best. He accounted it a pity that so fine and talented a young man should have formed the design of going out as a missionary; it was quite throwing a valuable life away. It appeared, then, that her father would throw no obstacle in the way of Rosamond’s union with St. John. Mr. Oliver evidently regarded the young clergyman’s good birth, old name, and sacred profession as sufficient compensation for the want of fortune.

It was the 5th of November, and a holiday. My little servant, after helping me to clean my house, was gone, well satisfied with the fee of a penny for her aid. All about me was spotless and bright— scoured floor, polished grate, and well-rubbed chairs. I had also made myself neat, and had now the afternoon before me to spend as I would.

The translation of a few pages of German occupied an hour; then I got my palette and pencils, and fell to the more soothing, because easier occupation, of completing Rosamond Oliver’s miniature. The head was finished already: there was but the background to tint and the drapery to shade off; a touch of carmine, too, to add to the ripe lips—a soft curl here and there to the tresses—a deeper tinge to the shadow of the lash under the azured eyelid. I was absorbed in the execution of these nice details, when, after one rapid tap, my door unclosed, admitting St. John Rivers.

“I am come to see how you are spending your holiday,” he said. “Not, I hope, in thought? No, that is well: while you draw you will not feel lonely. You see, I mistrust you still, though you have borne up wonderfully so far. I have brought you a book for evening solace,” and he laid on the table a new publication—a poem: one of those genuine productions so often vouchsafed to the fortunate public of those days—the golden age of modern literature. Alas! the readers of our era are less favoured. But courage! I will not pause either to accuse or repine. I know poetry is not dead, nor genius lost; nor has Mammon gained power over either, to bind or slay: they will both assert their existence, their presence, their liberty and strength again one day. Powerful angels, safe in heaven! they smile when sordid souls triumph, and feeble ones weep over their destruction. Poetry destroyed? Genius banished? No! Mediocrity, no: do not let envy prompt you to the thought. No; they not only live, but reign and redeem: and without their divine influence spread everywhere, you would be in hell—the hell of your own meanness.

While I was eagerly glancing at the bright pages of “Marmion” (for “Marmion” it was), St. John stooped to examine my drawing. His tall figure sprang erect again with a start: he said nothing. I looked up at him: he shunned my eye. I knew his thoughts well, and could read his heart plainly; at the moment I felt calmer and cooler than he: I had then temporarily the advantage of him, and I conceived an inclination to do him some good, if I could.

“With all his firmness and self-control,” thought I, “he tasks himself too far: locks every feeling and pang within—expresses, confesses, imparts nothing. I am sure it would benefit him to talk a little about this sweet Rosamond, whom he thinks he ought not to marry: I will make him talk.”

I said first, “Take a chair, Mr. Rivers.” But he answered, as he always did, that he could not stay. “Very well,” I responded, mentally, “stand if you like; but you shall not go just yet, I am determined: solitude is at least as bad for you as it is for me. I’ll try if I cannot discover the secret spring of your confidence, and find an aperture in that marble breast through which I can shed one drop of the balm of sympathy.”

“Is this portrait like?” I asked bluntly.

“Like! Like whom? I did not observe it closely.”

“You did, Mr. Rivers.”