After sitting some minutes in silence, and watching the progress of the chain, at which I now wrought more assiduously than ever, he inquired whether what he had just said would have the effect of making me entirely detest him.

I hardly remember what answer I made, or how it came about; I don’t think I spoke at all, but I know we managed to bid good-night on friendly terms; and, even after M. Paul had reached the door, he turned back just to explain “that he would not be understood to speak in entire condemnation of the scarlet dress” (“Pink! pink!” I threw in); “that he had no intention to deny it the merit of looking rather well” (the fact was, M. Emanuel’s taste in colours decidedly leaned to the brilliant); “only he wished to counsel me, whenever I wore it, to do so in the same spirit as if its material were ‘bure,’ and its hue ‘gris de poussière.’ ”

“And the flowers under my bonnet, monsieur?” I asked. “They are very little ones——”

“Keep them little, then,” said he. “Permit them not to become full-blown.”

“And the bow, monsieur—the bit of ribbon?”

“Va pour le ruban!” was the propitious answer.

And so we settled it.

“Well done, Lucy Snowe!” cried I to myself; “you have come in for a pretty lecture, brought on yourself a ‘rude savon,’ and all through your wicked fondness for worldly vanities! Who would have thought it? You deemed yourself a melancholy sobersides enough! Miss Fanshawe there regards you as a second Diogenes. M. de Bassompierre, the other day, politely turned the conversation when it ran on the wild gifts of the actress Vashti, because, as he kindly said, ‘Miss Snowe looked uncomfortable.’ Dr. John Bretton knows you only as ‘quiet Lucy’—‘a creature inoffensive as a shadow,’ he has said, and you have heard him say it. ‘Lucy’s disadvantages spring from over-gravity in tastes and manner, want of colour in character and costume.’ Such are your own and your friends’ impressions; and, behold! there starts up a little man, differing diametrically from all these, roundly charging you with being too airy and cheery, too volatile and versatile, too flowery and coloury. This harsh little man—this pitiless censor—gathers up all your poor scattered sins of vanity, your luckless chiffon of rose-colour, your small fringe of a wreath, your small scrap of ribbon, your silly bit of lace, and calls you to account for the lot and for each item. You are well habituated to be passed by as a shadow in life’s sunshine. It is a new thing to see one testily lifting his hand to screen his eyes because you tease him with an obtrusive ray.”


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