not look down on the tides of the Channel more calmly than he watched the Pythian inspiration of that night.

Looking at his face, I longed to know his exact opinions, and at last I put a question tending to elicit them. At the sound of my voice he awoke as if out of a dream; for he had been thinking, and very intently thinking, his own thoughts, after his own manner. “How did he like Vashti?” I wished to know.

“Hm-m-m,” was the first scarce articulate but expressive answer; and then such a strange smile went wandering round his lips, a smile so critical, so almost callous. I suppose that for natures of that order his sympathies were callous. In a few terse phrases he told me his opinion of, and feeling towards, the actress. He judged her as a woman, not an artist. It was a branding judgment.

That night was already marked in my book of life, not with white, but with a deep-red cross. But I had not done with it yet, and other memoranda were destined to be set down in characters of tint indelible.

Towards midnight, when the deepening tragedy blackened to the death scene, and all held their breath, and even Graham bit his under lip, and knit his brow, and sat still and struck; when the whole theatre was hushed; when the vision of all eyes centred in one point; when all ears listened towards one quarter—nothing being seen but the white form sunk on a seat, quivering in conflict with her last, her worst-hated, her visibly-conquering foe-nothing heard but her throes, her gaspings, breathing yet of mutiny, panting still defiance; when, as it seemed, an inordinate will, convulsing a perishing mortal frame, bent it to battle with doom and death, fought every inch of ground, sold every drop of blood, resisted to the latest the rape of every faculty, would see, would hear, would breathe, would live, up to, within, well-nigh beyond the moment when Death says to all sense and all being, “Thus far and no farther!”—just then a stir, pregnant with omen, rustled behind the scenes; feet ran, voices spoke.

What was it? demanded the whole house. A flame, a smell of smoke replied.

“Fire!” rang through the gallery. “Fire!” was repeated, re-echoed, yelled forth; and then, and faster than pen can set it down, came panic, rushing, crushing—a blind, selfish, cruel chaos.

And Dr. John? Reader, I see him yet, with his look of comely courage and cordial calm.

“Lucy will sit still, I know,” said he, glancing down at me with the same serene goodness, the same repose of firmness that I have seen in him when sitting at his side amid the secure peace of his mother’s hearth. Yes, thus adjured, I think I would have sat still under a rocking crag; but, indeed, to sit still in actual circumstances was my instinct, and at the price of my very life I would not have moved to give him trouble, thwart his will, or make demands on his attention. We were in the stalls, and for a few minutes there was a most terrible, ruthless pressure about us.

“How terrified are the women!” said he; “but if the men were not almost equally so, order might be maintained. This is a sorry scene. I see fifty selfish brutes at this moment, each of whom, if I were near, I could conscientiously knock down. I see some women braver than some men. There is one yonder—good God!”

While Graham was speaking, a young girl who had been very quietly and steadily clinging to a gentleman before us, was suddenly struck from her protector’s arms by a big butcherly intruder, and hurled under the feet of the crowd. Scarce two seconds lasted her disappearance. Graham rushed forwards; he and the gentleman, a powerful man though gray-haired, united their strength to thrust back the throng. Her head and long hair fell back over his shoulder; she seemed unconscious.

“Trust her with me; I am a medical man,” said Dr. John.

“If you have no lady with you, be it so,” was the answer. “Hold her, and I will force a passage. We must get her to the air.”


  By PanEris using Melati.

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