‘Indeed! what do you call it?’

‘Ancient songs of Denmark, heroic and romantic, translated by myself; with notes philological, critical, and historical.’

‘Then, sir, I assure you that your time and labour have been entirely flung away; nobody would read your ballads, if you were to give them to the world to-morrow.’

‘I am sure, sir, that you would say otherwise if you would permit me to read one to you’; and, without waiting for the answer of the big man, nor indeed so much as looking at him, to see whether he was inclined or not to hear me, I undid my manuscript, and, with a voice trembling with eagerness, I read to the following effect: -

‘Stop!’ said the publisher; ‘very pretty indeed, and very original; beats Scott hollow, and Percy too: but, sir, the day for these things is gone by; nobody at present cares for Percy, nor for Scott either, save as a novelist; sorry to discourage merit, sir, but what can I do! What else have you got?’

‘The songs of Ab Gwilym, the Welsh bard, also translated by myself, with notes critical, philological, and historical.’

‘Pass on - what else?’

‘Nothing else,’ said I, folding up my manuscript with a sigh, ‘unless it be a romance in the German style; on which, I confess, I set very little value.’

‘Wild?’

‘Yes, sir, very wild.’

‘Like the Miller of the Black Valley?’

‘Yes, sir, very much like the Miller of the Black Valley.’

‘Well, that’s better,’ said the publisher; ‘and yet, I don’t know, I question whether any one at present cares for the miller himself. No, sir, the time for those things is also gone by; German, at present, is a drug; and, between ourselves, nobody has contributed to make it so more than my good friend and correspondent; - but, sir, I see you are a young gentleman of infinite merit, and I always wish to encourage merit. Don’t you think you could write a series of evangelical tales?’

‘Evangelical tales, sir?’

‘Yes, sir, evangelical novels.’

‘Something in the style of Herder?’