to look at, such as would absolutely deter any man of quiet mind and easy spirit from attempting a passage of arms with such foes. There was talent in them, and the fire of passion and the play of wit, but there was no love. Cruelty was there instead, and courage, a desire for masterhood, cunning, and a wish for mischief. And yet, as eyes, they were very beautiful. The eyelashes were long and perfect, and the long steady unabashed gaze, with which she would look into the face of her admirer, fascinated while it frightened him. She was a basilisk from whom an ardent lover of beauty could make no escape. Her nose and mouth more so at twenty–eight than they had been at eighteen. What wonder that with such charms still glowing in her face, and with such deformity destroying her figure, she should resolve to be seen, but only to be seen reclining on a sofa.

Her resolve had not been carried out without difficulty. She had still frequented the opera at Milan; she had still been seen occasionally in the saloons of the noblesse; she had caused herself to be carried in and out from her carriage, and that in such a manner as in no wise to disturb her charms, disarrange her dress, or expose her deformities. Her sister always accompanied her and a maid, a manservant also, and on state occasions, two. It was impossible that her purpose could have been achieved with less: and yet, poor as she was, she had achieved her purpose. And then again the more dissolute Italian youths of Milan frequented the Stanhope villa and surrounded her couch, not greatly to her father’s satisfaction. Sometimes his spirit would rise, a dark spot would show itself on his cheek, and he would rebel; but Charlotte would assuage him with some peculiar triumph of her culinary art, and all again would be smooth for a while.

Madeline affected all manner of rich and quaint devices in the garniture of her room, her person, and her feminine belongings. In nothing was this more apparent than in the visiting card which she had prepared for her use. For such an article one would say that she, in her present state, could have but small need, seeing how improbable it was that she should make a morning call; but not such was her own opinion. Her card was surrounded by a deep border of gilding; on this she had imprinted, in three lines:–

La Signora Madeline Vesey Neroni.
—Nata Stanhope.

And over the name she had a bright gilt coronet, which certainly looked very magnificent. How she had come to concoct such a name for herself it would be difficult to explain. Her father had been christened Vesey, as another man is christened Thomas; and she had no more right to assume it than would have the daughter of a Mr Josiah Jones to call herself Mrs Josiah Smith, on marrying a man of the latter name. The gold coronet was equally out of place, and perhaps inserted with even less excuse. Paul Neroni had not the faintest title to call himself a scion of even Italian nobility. Had the pair met in England Neroni would probably have been a count; but they had met in Italy, and any such pretence on his part would have been simply ridiculous. A coronet, however, was a pretty ornament, and if it could solace a poor cripple to have such on her card, who could begrudge it to her?

Of her husband, or of his individual family, she never spoke; but with her admirers she would often allude in a mysterious way to her married life and isolated state, and, pointing to her daughter, would call her the last of the blood of the emperors, thus referring Neroni’s extraction to the old Roman family from which the worst of the Caesars sprang.

The ‘Signora’ was not without talent, and not without a certain sort of industry; she was an indomitable letter writer, and her letters were worth the postage: they were full of wit, mischief, satire, love, latitudinarian philosophy, free religion, and, sometimes, alas! loose ribaldry. The subject, however, depended entirely on the recipient, and she was prepared to correspond with any one, but moral young ladies or stiff old women. She wrote also a kind of poetry, generally in Italian, and short romances, generally in French. She read much of a desultory sort of literature, and as a modern linguist had really made great proficiency. Such was the lady who had now come to wound the hearts of the men of Barchester.

Ethelbert Stanhope was in some respects like his younger sister, but he was less inestimable as a man than she was as a woman. His great fault was an entire absence of that principle which should have


  By PanEris using Melati.

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