Emmy, too, was presented to the august family, and as mourning is not admitted in Court on certain days, she appeared in a pink crape dress with a diamond ornament in the corsage, presented to her by her brother, and she looked so pretty in this costume that the Duke and Court (putting out of the question the Major, who had scarcely ever seen her before in an evening dress, and vowed that she did not look five-and-twenty) all admired her excessively.

In this dress she walked a Polonaise with Major Dobbin at a Court ball, in which easy dance Mr. Jos had the honour of leading out the Countess of Schlusselback, an old lady with a hump back, but with sixteen good quarters of nobility and related to half the royal houses of Germany.

Pumpernickel stands in the midst of a happy valley through which sparkles—to mingle with the Rhine somewhere, but I have not the map at hand to say exactly at what point—the fertilizing stream of the Pump. In some places the river is big enough to support a ferry-boat, in others to turn a mill; in Pumpernickel itself, the last Transparency but three, the great and renowned Victor Aurelius XIV built a magnificent bridge, on which his own statue rises, surrounded by water-nymphs and emblems of victory, peace, and plenty; he has his foot on the neck of a prostrate Turk—history says he engaged and ran a Janissary through the body at the relief of Vienna by Sobieski—but, quite undisturbed by the agonies of that prostrate Mahometan, who writhes at his feet in the most ghastly manner, the Prince smiles blandly and points with his truncheon in the direction of the Aurelius Platz, where he began to erect a new palace that would have been the wonder of his age had the great-souled Prince but had funds to complete it. But the completion of Monplaisir (Monblaisir the honest German folks call it) was stopped for lack of ready money, and it and its park and garden are now in rather a faded condition, and not more than ten times big enough to accommodate the Court of the reigning Sovereign.

The gardens were arranged to emulate those of Versailles, and amidst the terraces and groves there are some huge allegorical waterworks still, which spout and froth stupendously upon fete-days, and frighten one with their enormous aquatic insurrections. There is the Trophonius’ cave in which, by some artifice, the leaden Tritons are made not only to spout water, but to play the most dreadful groans out of their lead conchs—there is the nymphbath and the Niagara cataract, which the people of the neighbourhood admire beyond expression, when they come to the yearly fair at the opening of the Chamber, or to the fetes with which the happy little nation still celebrates the birthdays and marriage-days of its princely governors.

Then from all the towns of the Duchy, which stretches for nearly ten mile—from Bolkum, which lies on its western frontier bidding defiance to Prussia, from Grogwitz, where the Prince has a hunting-lodge, and where his dominions are separated by the Pump River from those of the neighbouring Prince of Potzenthal; from all the little villages, which besides these three great cities, dot over the happy principality—from the farms and the mills along the Pump come troops of people in red petticoats and velvet head- dresses, or with three- cornered hats and pipes in their mouths, who flock to the Residenz and share in the pleasures of the fair and the festivities there. Then the theatre is open for nothing, then the waters of Monblaisir begin to play (it is lucky that there is company to behold them, for one would be afraid to see them alone)—then there come mountebanks and riding troops (the way in which his Transparency was fascinated by one of the horse-riders is well known, and it is believed that La Petite Vivandière, as she was called, was a spy in the French interest), and the delighted people are permitted to march through room after room of the Grand Ducal palace and admire the slippery floor, the rich hangings, and the spittoons at the doors of all the innumerable chambers. There is one Pavilion at Monblaisir which Aurelius Victor XV had arranged—a great Prince but too fond of pleasure—and which I am told is a perfect wonder of licentious elegance. It is painted with the story of Bacchus and Ariadne, and the table works in and out of the room by means of a windlass, so that the company was served without any intervention of domestics. But the place was shut up by Barbara, Aurelius XV’s widow, a severe and devout Princess of the House of Bolkum and Regent of the Duchy during her son’s glorious minority, and after the death of her husband, cut off in the pride of his pleasures.