fanatically admired him. And his whiskers had begun to do their work, and to curl themselves round the affections of Miss Swartz.

Whenever there was a chance of meeting him in Russell Square, that simple and good-natured young woman was quite in a flurry to see her dear Misses Osborne. She went to great expenses in new gowns, and bracelets, and bonnets, and in prodigious feathers. She adorned her person with her utmost skill to please the Conqueror, and exhibited all her simple accomplishments to win his favour. The girls would ask her, with the greatest gravity, for a little music, and she would sing her three songs and play her two little pieces as often as ever they asked, and with an always increasing pleasure to herself. During these delectable entertainments, Miss Wirt and the chaperon sate by, and conned over the peerage, and talked about the nobility.

The day after George had his hint from his father, and a short time before the hour of dinner, he was lolling upon a sofa in the drawing-room in a very becoming and perfectly natural attitude of melancholy. He had been, at his father’s request, to Mr. Chopper in the City (the old-gentleman, though he gave great sums to his son, would never specify any fixed allowance for him, and rewarded him only as he was in the humour). He had then been to pass three hours with Amelia, his dear little Amelia, at Fulham; and he came home to find his sisters spread in starched muslin in the drawing- room, the dowagers cackling in the background, and honest Swartz in her favourite amber-coloured satin, with turquoise bracelets, countless rings, flowers, feathers, and all sorts of tags and gimcracks, about as elegantly decorated as a she chimney-sweep on May-day.

The girls, after vain attempts to engage him in conversation, talked about fashions and the last drawing- room until he was perfectly sick of their chatter. He contrasted their behaviour with little Emmy’s—their shrill voices with her tender ringing tones; their attitudes and their elbows and their starch, with her humble soft movements and modest graces. Poor Swartz was seated in a place where Emmy had been accustomed to sit. Her bejewelled hands lay sprawling in her amber satin lap. Her tags and ear-rings twinkled, and her big eyes rolled about. She was doing nothing with perfect contentment, and thinking herself charming. Anything so becoming as the satin the sisters had never seen.

“Dammy,” George said to a confidential friend, “she looked like a China doll, which has nothing to do all day but to grin and wag its head. By Jove, Will, it was all I I could do to prevent myself from throwing the sofa- cushion at her.” He restrained that exhibition of sentiment, however.

The sisters began to play the Battle of Prague. “Stop that d— thing,” George howled out in a fury from the sofa. “It makes me mad. You play us something, Miss Swartz, do. Sing something, anything but the Battle of Prague.”

“Shall I sing ‘Blue Eyed Mary’ or the air from the Cabinet?” Miss Swartz asked.

“That sweet thing from the Cabinet,” the sisters said.

“We’ve had that,” replied the misanthrope on the sofa

“I can sing ‘Fluvy du Tajy,’ “ Swartz said, in a meek voice, “if I had the words.” It was the last of the worthy young woman’s collection.

“O, ‘Fleuve du Tage,’ “ Miss Maria cried; “we have the song,” and went off to fetch the book in which it was.

Now it happened that this song, then in the height of the fashion, had been given to the young ladies by a young friend of theirs, whose name was on the title, and Miss Swartz, having concluded the ditty with George’s applause (for he remembered that it was a favourite of Amelia’s), was hoping for an encore perhaps, and fiddling with the leaves of the music, when her eye fell upon the title, and she saw “Amelia Sedley” written in the comer.


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