"Like it? It is more sweet to me than I can tell. Say `thou', also, and I shall say your language is almost as beautiful as mine."

"Isn't `thou' a little sentimental?" asked Jo, privately thinking it a lovely monosyllable.

"Sentimental? Yes. Thank Gott, we Germans believe in sentiment, and keep ourselves young mit it. Your English `you' is so cold, say `thou', heart's dearest, it means so much to me," pleaded Mr. Bhaer, more like a romantic student than a grave professor.

"Well, then, why didn't thou tell me all this sooner?" asked Jo bashfully.

"Now I shall haf to show thee all my heart, and I so gladly will, because thou must take care of it hereafter. See, then, my Jo--ah, the dear, funny little name--I had a wish to tell something the day I said goodbye in New York, but I thought the handsome friend was betrothed to thee, and so I spoke not. Wouldst thou have said `Yes', then, if I had spoken?"

"I don't know. I'm afraid not, for I didn't have any heart just then."

"Prut! That I do not believe. It was asleep till the fairy prince came through the wood, and waked it up. Ah, well, `Die erste Liebe ist die beste', but that I should not expect."

"Yes, the first love is the best, but be so contented, for I never had another. Teddy was only a boy, and soon got over his little fancy," said Jo, anxious to correct the Professor's mistake.

"Good! Then I shall rest happy, and be sure that thou givest me all. I haf waited so long, I am grown selfish, as thou wilt find , Professorin."

"I like that," cried Jo, delighted with her new name. "Now tell me what brought you, at last, just when I wanted you?"

"This." And Mr. Bhaer took a little worn paper out of his waistcoat pocket.

Jo unfolded it, and looked much abashed, for it was one of her own contributions to a paper that paid for poetry, which accounted for her sending it an occasional attempt.

"How could that bring you?" she asked, wondering what he meant.

"I found it by chance. I knew it by the names and the initials, and in it there was one little verse that seemed to call me. Read and find him. I will see that you go not in the wet."

IN THE GARRET

Four little chests all in a row,
Dim with dust, and worn by time,
All fashioned and filled, long ago,
By children now in their prime.
Four little keys hung side by side,
With faded ribbons, brave and gay
When fastened there, with childish pride,
Long ago, on a rainy day.
Four little names, one on each lid,
Carved out by a boyish hand,
And underneath there lieth hid
Histories of the happpy band
Once playing here, and pausing oft
To hear the sweet refrain,
That came and went on the roof aloft, In the falling summer rain.

"Meg" on the first lid, smooth and fair.
I look in with loving eyes,
For folded here, with well-known care,
A goodly gathering lies,
The record of a peaceful life--
Gifts to gentle child and girl,
A bridal gown, lines to a wife,
A tiny shoe, a baby curl.
No toys in this first chest remain,
For all are carried away,
In their old age, to join again
In another small Meg's play.
Ah, happy mother!
Well I know You hear, like a sweet refrain,
Lullabies ever soft and low
In the falling summer rain.

"Jo" on the next lid, scratched and worn,
And within a motley store
Of headless, dolls, of schoolbooks torn,
Birds and beasts that speak no more,
Spoils brought home from the fairy ground
Only trod by youthful