awoke, she had built up a splendid fortune for herself (not the first founded on paper), and was already deep in the concoction of her story, being unable to decide whether the duel should come before the elopement or after the murder. she said nothing of her plan at home, but fell to work next day, much to the disquiet of her mother, who always looked a little anxious when `genius took to burning'. Jo had never tried this style before, contenting herself with very mild romances for THE SPREAD EAGLE. Her experience and miscellaneous reading were of service now, for they gave her some idea of dramatic effect, and supplied plot, language, and costumes. Her story was as full of desperation and despair as her limited acquaintance with those uncomfortable emotions enabled her to make it, and having located it in Lisbon, she wound up with an earthquake, as a striking and appropriate denouement. The manuscript was privately dispatched, accompanied by a note, modestly saying that if the tale didn't get the prize, which the writer hardly dared expect, she would be very glad to receive any sum it might be considered worth. Six weeks is a long time to wait, and a still longer time for a girl to keep a secret, but Jo did both, and was just beginning to give up all hope of ever seeing her manuscript again, when a letter arrived which almost took her breath away, for on opening it, a check for a hundred dollars fell into her lap. For a minute she stared at it as if it had been a snake, then she read her letter and began to cry. If the amiable gentleman who wrote that kindly note could have known what intense happiness he was giving a fellow creature, I think he would devote his leisure hours, if he has any, to that amusement, for Jo valued the letter more than the money, because it was encouraging, and after years of effort it was so pleasant to find that she had learned to do something, though it was only to write a sensation story. A prouder young woman was seldom seen than she, when, having composed herself, she electrified the family by appearing before them with the letter in one hand, the check in the other, announcing that she had won the prize. Of course there was a great jubilee, and when the story came everyone read and praised it, though after her father had told her that the language was good, the romance fresh and hearty, and the tragedy quite thrilling, he shook his head, and said in his unworldly way... "You can do better than this, Jo. Aim at the highest, and never mind the money." "I think the money is the best part of it. What will you do with such a fortune?" asked Amy, regarding the magic slip of paper with a reverential eye. "Send Beth and Mother to the seaside for a month or two," answered Jo promptly. To the seaside they went, after much discussion, and though Beth didn't come home as plump and rosy as could be desired, she was much better, while Mrs. March declared she felt ten years younger. So Jo was satisfied with the investment of her prize money, and fell to work with a cheery spirit, bent on earning more of those delightful checks. She did earn several that year, and began to feel herself a power in the house, for by the magic of a pen, her `rubbish' turned into comforts for them all. The Duke's Daughter paid the butcher's bill, A Phantom Hand put down a new carpet, and the Curse of the Coventrys proved the blessing of the Marches in the way of groceries and gowns. Wealth is certainly a most desirable thing, but poverty has its sunny side, and one of the sweet uses of adversity is the genuine satisfaction which comes from hearty work of head or hand, and to the inspiration of necessity, we owe half the wise, beautiful, and useful blessings of the world. Jo enjoyed a taste of this satisfaction, and ceased to envy richer girls, taking great comfort in the knowledge that she could supply her own wants, and need ask no one for a penny. Little notice was taken of her stories, but they found a market, and encouraged by this fact, she resolved to make a bold stroke for fame and fortune. Having copied her novel for the fourth time, read it to all her confidential friends, and submitted it with fear and trembling to three publishers, she at last disposed of it, on condition that she would cut it down one third, and omit all the parts which she particularly admired. "Now I must either bundle it back in to my tin kitchen to mold, pay for printing it myself, or chop it up to suit purchasers and get what I can for it. Fame is a very good thing to have in the house, but cash is more convenient, so I wish to take the sense of the meeting on this important subject," said Jo, calling a family council. "Don't spoil your book, my girl, for there is more in it than you know, and the idea is well worked out. Let it wait and ripen," was her father's advice, and he practiced what he preached, having waited patiently thirty years for fruit of his own to ripen, and being in no haste to gather it even now when it was sweet and mellow. "It seems to me that Jo will profit more by taking the trial than by waiting," said Mrs. March. "Criticism is the best test of such work, for it will show her both unsuspected merits and faults, and help her to do better next time. We are too partial, but the praise and blame of outsiders will prove useful, even if she gets but little money." "Yes," said Jo, knitting her brows, "that's just it. I've been fussing over the thing so long, I really don't know whether it's good,

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