in the world. They are to be found there as often as anywhere; and, when existing, find in that peculiar state of society a brilliant opportunity to exhibit their domestic talent.

Such a housekeeper Marie St. Clare was not, nor her mother before her. Indolent and childish, unsystematic and improvident, it was not to be expected that servants trained under her care should not be so likewise; and she had very justly described to Miss Ophelia the state of confusion she would find in the family, though she had not ascribed it to the proper cause.

The first morning of her regency, Miss Ophelia was up at four o’clock; and having attended to all the adjustments of her own chamber, as she had done ever since she came there, to the great amazement of the chambermaid, she prepared for a vigorous onslaught on the cupboards and closets of the establishment of which she had the keys.

The store-room, the linen-presses, the china-closet, the kitchen and cellar, that day, all went under an awful review. Hidden things of darkness were brought to light to an extent that alarmed all the principalities and powers of kitchen and chamber, and caused many wonderings and murmurings about “dese yer northern ladies” from the domestic cabinet.

Old Dinah, the head cook, and principal of all rule and authority in the kitchen department, was filled with wrath at what she considered an invasion of privilege. No feudal baron in Magna Charta times could have more thoroughly resented some incursion of the crown.

Dinah was a character in her own way, and it would be injustice to her memory not to give the reader a little idea of her. She was a native and essential cook, as much as Aunt Chloe,—cooking being an indigenous talent of the African race; but Chloe was a trained and methodical one, who moved in an orderly domestic harness, while Dinah was a self-taught genius, and, like geniuses in general, was positive, opinionated and erratic, to the last degree.

Like a certain class of modern philosophers, Dinah perfectly scorned logic and reason in every shape, and always took refuge in intuitive certainty; and here she was perfectly impregnable. No possible amount of talent, or authority, or explanation, could ever make her believe that any other way was better than her own, or that the course she had pursued in the smallest matter could be in the least modified. This had been a conceded point with her old mistress, Marie’s mother; and “Miss Marie,” as Dinah always called her young mistress, even after her marriage, found it easier to submit than contend; and so Dinah had ruled supreme. This was the easier, in that she was perfect mistress of that diplomatic art which unites the utmost subservience of manner with the utmost inflexibility as to measure.

Dinah was mistress of the whole art and mystery of excuse-making, in all its branches. Indeed, it was an axiom with her that the cook can do no wrong; and a cook in a Southern kitchen finds abundance of heads and shoulders on which to lay off every sin and frailty, so as to maintain her own immaculateness entire. If any part of the dinner was a failure, there were fifty indisputably good reasons for it; and it was the fault undeniably of fifty other people, whom Dinah berated with unsparing zeal.

But it was very seldom that there was any failure in Dinah’s last results. Though her mode of doing everything was peculiarly meandering and circuitous, and without any sort of calculation as to time and place,—though her kitchen generally looked as if it had been arranged by a hurricane blowing through it, and she had about as many places for each cooking utensil as there were days in the year,—yet, if one would have patience to wait her own good time, up would come her dinner in perfect order, and in a style of preparation with which an epicure could find no fault.

It was now the season of incipient preparation for dinner. Dinah, who required large intervals of reflection and repose, and was studious of ease in all her arrangements, was seated on the kitchen floor, smoking a short, stumpy pipe, to which she was much addicted, and which she always kindled up, as a sort of censer, whenever she felt the need of an inspiration in her arrangements. It was Dinah’s mode of invoking the domestic Muses.


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