meals; he heard the merry laugh of his boys at their play, and the chirrup of the baby at his knee; and then, with a start, all faded, and he saw again the canebrakes and cypresses and gliding plantations, and heard again the creaking and groaning of the machinery, all telling him too plainly that all that phase of life had gone by forever.

In such a case, you write to your wife, and send messages to your children; but Tom could not write,—the mail for him had no existence, and the gulf of separation was unbridged by even a friendly word or signal.

Is it strange, then, that some tears fall on the pages of his Bible, as he lays it on the cotton-bale, and, with patient finger, threading his slow way from word to word, traces out its promises? Having learned late in life, Tom was but a slow reader, and passed on laboriously from verse to verse. Fortunate for him was it that the book he was intent on was one which slow reading cannot injure,—nay, one whose words, like ingots of gold, seem often to need to be weighed separately, that the mind may take in their priceless value. Let us follow him a moment, as, pointing to each word, and pronouncing each half aloud, he reads,

“Let—not—your—heart—be—troubled. In—my—Father’s—house—are—many—mansions. I—go—to—prepare—a—place—for—you.”

Cicero, when he buried his darling and only daughter, had a heart as full of honest grief as poor Tom’s,—perhaps no fuller, for both were only men;—but Cicero could pause over no such sublime words of hope, and look to no such future reunion; and if he had seen them, ten to one he would not have believed,—he must fill his head first with a thousand questions of authenticity of manuscript, and correctness of translation. But, to poor Tom, there it lay, just what he needed, so evidently true and divine that the possibility of a question never entered his simple head. It must be true; for, if not true, how could he live?

As for Tom’s Bible, though it had no annotations and helps in margin from learned commentators, still it had been embellished with certain way-marks and guide-boards of Tom’s own invention, and which helped him more than the most learned expositions could have done. It had been his custom to get the Bible read to him by his master’s children, in particular by young Master George; and, as they read, he would designate, by bold, strong marks and dashes, with pen and ink, the passages which more particularly gratified his ear or affected his heart. His Bible was thus marked through, from one end to the other, with a variety of styles and designations; so he could in a moment seize upon his favorite passages, without the labor of spelling out what lay between them;—and while it lay there before him, every passage breathing of some old home scene, and recalling some past enjoyment, his Bible seemed to him all of this life that remained, as well as the promise of a future one.

Among the passengers on the boat was a young gentleman of fortune and family, resident in New Orleans, who bore the name of St. Clare. He had with him a daughter between five and six years of age, together with a lady who seemed to claim relationship to both, and to have the little one especially under her charge.

Tom had often caught glimpses of this little girl,—for she was one of those busy, tripping creatures, that can be no more contained in one place than a sunbeam or a summer breeze,—nor was she one that, once seen, could be easily forgotten.

Her form was the perfection of childish beauty, without its usual chubbiness and squareness of outline. There was about it an undulating and aerial grace, such as one might dream of for some mythic and allegorical being. Her face was remarkable less for its perfect beauty of feature than for a singular and dreamy earnestness of expression, which made the ideal start when they looked at her, and by which the dullest and most literal were impressed, without exactly knowing why. The shape of her head and the turn of her neck and bust was peculiarly noble, and the long golden-brown hair that floated like a cloud around it, the deep spiritual gravity of her violet blue eyes, shaded by heavy fringes of golden


  By PanEris using Melati.

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