‘I have. I cannot enter into your conspiracy.’

Do you know, Madonna, that in deciding thus you sign his death-warrant?’

‘Nay, cousin, it is ungenerous and unmanly to use such a menace with me. If he be doomed to death, which indeed cannot, must not be,——how can I save him? how can I, a woman, turn aside the daggers of the conspirators? if it be not indeed by betraying your plot to him, a deed may perhaps force me to at last.’

‘I hope not, Euthanasia. For your own sake—for the sake of all the virtue that ever dwelt beneath the female form, I hope that you will not be led to commit so base an action. You cannot harm us. If you inform Antelminelli that there is a conspiracy formed against him, and that I am at the head of it, you tell him no more than he already knows. He does not need the lessons of history; his own experience teaches him sufficiently, that the sword is suspended over the tyrant’s head by a single hair. He knows that he has enemies; but he has too many to arrest them all: he knows that his friends are treacherous; but he will never guess who on the present occasion will turn traitor. He cannot be surprised, nor can it do him any good to know, that I am the chief conspirator; I have ever been his open and determined foe; and this is not my first attempt to accomplish his downfal.

‘As to what you say concerning my childish menace, you much misunderstand me when you call it a threat. The persons who must act in this business are Lucchese; I may direct their exertions; but they are the actors. And, if you heard the appalling curses that they heap upon Castruccio’s name, if you beheld the deep hate their eyes express when he is mentioned, their savage joy when they dream that one day they may wreak their vengeance upon him, you would feel that his life is indeed at stake. I do not wish him to die. Perhaps I am wrong in this; if his life be preserved, it is probable that no good will arise from his downfal, and that no blood will in reality be spared. But I have eaten at his board, and he has been my guest within these walls, so that I would preserve his life; and I have pitched upon you as the person who can best assist me in this. What else can I do? I cannot go to Lucca to watch over and restrain the fury of his enemies; nor can I find one Lucchese to whom I dare disclose the secret of the conspiracy, and whom I may trust with the protection of his person. Indeed this task seems naturally to devolve to you. You hate tyranny and war; you are a Guelph, and would fain see the enemy of your country, the author of the innumerable evils under which we groan, removed from his government: but antient friendship, the reciprocal interchange of hospitality render his person dear to you, and your female softness, and perhaps weakness, would come in aid of these feelings. You are free to go to Lucca; you may mix the voice of humanity with the bloody machinations of these men; you may save him, and you alone.’

Euthanasia was deeply moved by the representations of Bondelmonti. But her thoughts were still confused; she saw no steady principle, on which to seize, and make it her guide from out the labyrinth. She paused, hesitated, and asked again for a few days for consideration. And this Bondelmonti reluctantly granted.

In the mean time Castruccio was engaged in exhibiting the pomp of a triumph, which was conducted with unparalleled splendour; and in which, like a merciless barbarian, the prince of Lucca, led along Cardona and all the most eminent of his prisoners as the attendants of his chariot.


  By PanEris using Melati.

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