Chapter 20

Galeazzo Visconti at Florence.—Castruccio and Euthanasia meet at Valperga: Doubts and Reserve.

Immediately after the restoration of the marquess of Este to the government of Ferrara, Galeazzo Visconti returned to Milan; and thence, after a short delay, he made a journey to Florence. The apparent motive of this visit was to accompany a younger brother, who had been long betrothed to a Florentine lady; and the period had now arrived for the celebration of their marriage. But he had other secret views: he had heard of the engagement of Castruccio to the countess of Valperga; and, this name being famous as belonging to a Guelph family, he thought that he had now discovered the cause of the peace concluded by Castruccio with Florence, and he resolved to ascertain the motives and plans of his friend; and if the countess were really the jealous Guelph fame gave her out to be, he determined to spare neither artifice nor falsehood to disturb their union.

The destined bride of young Azzo Visconti was a near relation of Euthanasia. The family of Adimari to which she belonged, although originally Guelphs, had been united to the party of the Bianchi, and had been expelled with them; with the exception of that branch which adhered to the Neri, of which the father of Euthanasia was the chief. But the children of several of these exiles continued with those of their relations who remained in Florence; and Fiammetta dei Adimari, although the daughter of an exile of the faction of the Bianchi, had continued to reside in Florence under the protection of an aunt. Her father had made himself famous in the wars of Lombardy; and it was there that the union between her and Azzo Visconti had been projected.

When the youth came with Galeazzo to celebrate the marriage, Fiammetta removed to the palace of Euthanasia, it being from her abode, as the head of the family, that the bride ought to be taken, when her husband should come to demand her. Galeazzo calculated on the frequent occasions of meeting that this circumstance would afford, to commence the plot he had formed on the mind of Euthanasia.

These illustrious visitors were received with honours by the magistrates of Florence: a palace was assigned for their abode, and several nobles were commissioned to shew them all that was curious in the city. Florence was then one of the finest towns in Italy; yet certainly its beauty must have been far inferior to that which it boasts at present. Its chief ornaments were palaces of massy stone, surmounted by high towers, each able to sustain a siege: some specimens of this architecture, the Palazzo Strozzi, and the Palazzo Pitti, now a ducal residence, exist to this day. They are grand and imposing; but the sombre air which they give to the streets, was better suited to those warlike and manly times, than to the taste of the present age, when the Italian heaven shines on few who would defend their own home, though its strength were that of an impregnable fortress. The Cathedral, or Duomo, afterwards the pride of Florence, was then just commenced; but the extent of its area, and the solidity of its foundations, justified the high tone of the public decree for its erection, which declared that it should surpass in beauty every other building then existing in Italy, and be the wonder of the modern world. Among other curiosities, Galeazzo was conducted to the dens of the numerous lions and lionesses kept at the expence of the republic: there were nearly an hundred of these animals, that lived sumptuously, maintained by the superstition of the Florentines, who believed their welfare to be symbolical of that of the state.

In their visits to these wonders of Florence the Visconti were accompanied by many of the young nobles of both sexes, and Euthanasia and Fiammetta were among the number. Galeazzo, from the moment of his arrival, had directed his entire attention to the unravelling the character of Euthanasia, and from all that he heard and saw, became convinced that she was the cause of the fluctuations of Castruccio’s mind, and that their union must be prevented; otherwise he would never proceed against the Guelphs with the vigorous hostility which was necessary to their suppression. At first Galeazzo kept apart from Euthanasia; he was unwilling to enter into conversation with her, until, finding out the secret chords of her mind, he might play upon them with a master’s hand.

They visited among the other curiosities of Florence the tomb of the family of the Soldanieri. This vast receptacle for the dead was built under ground, and received but small light from a grated window which opened into one of the cloisters of the church: it was the custom of this family to coffin their dead in brazen