Chapter 1

Birth of Castruccio.—His family exiled from Lucca when he is eleven years of age.

The other nations of Europe were yet immersed in barbarism, when Italy, where the light of civilization had never been wholly eclipsed, began to emerge from the darkness of the ruin of the Western Empire, and to catch from the East the returning rays of literature and science. At the beginning of the fourteenth century Dante had already given a permanent form to the language which was the offspring of this revolution; he was personally engaged in those political struggles, in which the elements of the good and evil that have since assumed a more permanent form were contending; his disappointment and exile gave him leisure to mediate, and produced his Divina Comedia.

Lombardy and Tuscany, the most civilized districts of Italy, exhibited astonishing specimens of human genius; but at the same time they were torn to pieces by domestic faction, and almost destroyed by the fury of civil wars. The antient quarrels of the Guelphs and the Ghibelines were started with renovated zeal, under the new distinctions of Bianchi and Neri1. The Ghibelines and the Bianchi were the friends of the emperor, asserting the supremacy and universality of his sway over all other dominion, ecclesiastical or civil: the Guelphs and the Neri were the partizans of liberty. Florence was at the head of the Guelphs, and employed, as they were employed by it in their turn, the Papal power as a pretext and an instrument.

The distinctions of Bianchi and Neri took their rise in Pistoia, a town of some moment between Florence and Lucca. The Neri being expelled from Pistoia, the exiles fixed their residence in Lucca; where they so fortified and augmented their party, as to be able in the year 1301 to expel the Bianchi, among whom was Castruccio Castracani dei Antelminelli.

The family of the Antelminelli was one of the most distinguished in Lucca. They had followed the emperors in their Italian wars, and had received in recompense titles and reward. The father of Castruccio was the chief of his house; he had been a follower of the unfortunate Manfred, king of Naples, and his party feelings as a Ghibeline derived new fervour from the adoration with which he regarded his noble master. Manfred was the natural son of the last emperor of the house of Swabia; before the age of twenty he had performed the most brilliant exploits, and undergone the most romantic vicissitudes, in all of which the father of Castruccio had been his faithful page and companion. The unrelenting animosity with which the successive Popes pursued his royal master, gave rise in his bosom to a hatred, that was heightened by the contempt with which he regarded their cowardly and artful policy.

When therefore the quarrels of the Guelphs and Ghibelines were revived in Lucca under the names of Bianchi and Neri, Ruggieri dei Antelminelli was the chief opponent and principal victim of the machinations of the Papal party. Castruccio was then only eleven years of age; but his young imagination was deeply impressed by the scenes that passed around him. When the citizens of Lucca had assembled on the appointed day to choose their Podestà, or principal magistrate, the two parties dividing on the Piazza glared defiance at each other: the Guelphs had the majority in numbers; but the Ghibelines wishing, like Brennus, to throw the sword into the ascending scale, assailed the stronger party with arms in their hands. They were repulsed; and, flying before their enemies, the Guelphs remained in possession of the field, where, under the guidance of their chiefs, they voted the perpetual banishment of the Ghibelines; and the summons was read by a herald, which commanded all the districts of Lucca to range themselves the next morning under their respective banners, that they might attack and expel by force those of the contrary party who should refuse to obey the decree.

Ruggieri returned from the Piazza of the Podestà, accompanied by several of his principal friends. His wife, Madonna Dianora, was anxiously waiting his return; while the young Castruccio stood at the casement, and, divining by his mother’s countenance the cause of her inquietude, looked eagerly down the street that he might watch the approach of his father: he clapped his hands with joy, as he exclaimed, ‘They come!’ Ruggieri entered; his wife observed him inquiringly and tenderly, but forbore to speak; yet her cheek became pale, when she heard her husband issue orders, that the palace should be barricadoed, and none permitted to enter, except those who brought the word which shewed that they belonged to the same party.


  By PanEris using Melati.

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