“Sir Sluggish Knight, I drink to thee,” said the hermit; “respecting thy valour much, but deeming wondrous slightly of thy discretion. If thou wilt take equal arms with me, I will give thee, in all friendship and brotherly love, such sufficing penance and complete absolution, that thou shalt not, for the next twelve months, sin the sin of excess of curiosity.”

The knight pledged him, and desired him to name his weapons.

“There is none,” replied the hermit, “from the scissors of Delilah, and the tenpenny nail of Jael, to the scimitar of Goliath, at which I am not a match for thee. But, if I am to make the election, what sayest thou, good friend, to these trinkets?”

Thus speaking he opened another hutch, and took out from it a couple of broadswords and bucklers, such as were used by the yeomanry of the period. The knight, who watched his motions, observed that the second place of concealment was furnished with two or three good longbows, a cross-bow, a bundle of bolts for the latter, and half a dozen sheaves of arrows for the former. A harp, and other matters of a very uncanonical appearance, were also visible when this dark recess was opened.

“I promise thee, brother Clerk,” said he, “I will ask thee no more offensive questions. The contents of that cupboard are an answer to all my inquiries; and I see a weapon there” (here he stooped and took out the harp) “on which I would more gladly prove my skill with thee, than at the sword and buckler.”

“I hope, Sir Knight,” said the hermit, “thou hast given no good reason for thy surname of the Sluggard. I do promise thee I suspect thee grievously. Nevertheless, thou art my guest, and I will not put thy manhood to the proof without thine own free will. Sit thee down, then, and fill thy cup; let us drink, sing, and be merry. If thou, knowest ever a good lay, thou shalt be welcome to a nook of pasty at Copmanhurst so long as I serve the chapel of St. Dunstan, which, please God, shall be till I change my gray covering for one of green turf. But come, fill a flagon, for it will crave some time to tune the harp; and nought pitches the voice and sharpens the ear like a cup of wine. For my part, I love to feel the grape at my very finger ends before they make the harp-strings tinkle.”¹