“Come along, boys,” cries East, always ready to leave “the grind,” as he called it; “our old coach is laid up, you know, and we shall have one of the new masters, who’s sure to go slow and let us down easy.”

So an adjournment to the close was carried nem. con., little Arthur not daring to uplift his voice; but, being deeply interested in what they were reading, stayed quietly behind, and learnt on for his own pleasure.

As East had said, the regular master of the form was unwell, and they were to be heard by one of the new masters, quite a young man, who had only just left the University. Certainly it would be hard lines, if, by dawdling as much as possible in coming in and taking their places, entering into long-winded explanations of what was the usual course of the regular master of the form, and others of the stock contrivances of boys for wasting time in school, they could not spin out the lesson so that he should not work them through more than the forty lines; as to which quantity there was a perpetual fight going on between the master and his form, the latter insisting, and enforcing by passive resistance, that it was the prescribed quantity of Homer for a shell lesson, the former that there was no fixed quantity, but that they must always be ready to go on to fifty or sixty lines if there were time within the hour. However, notwithstanding all their efforts, the new master got on horribly quick; he seemed to have the bad taste to be really interested in the lesson, and to be trying to work them up into something like appreciation of it, giving them good spirited English words, instead of the wretched bald stuff into which they rendered poor old Homer; and construing over each piece himself to them, after each boy, to show them how it should be done.

Now the clock strikes the three-quarters; there is only a quarter of an hour more; but the forty lines are all but done. So the boys, one after another, who are called up, stick more and more, and make balder and ever more bald work of it. The poor young master is pretty near beat by this time, and feels ready to knock his head against the wall, or his fingers against somebody else’s head. So he gives up altogether the lower and middle parts of the form, and looks round in despair at the boys on the top bench, to see if there is one out of whom he can strike a spark or two, and who will be too chivalrous to murder the most beautiful utterances of the most beautiful woman of the old world. His eye rests on Arthur, and he calls him up to finish construing Helen’s speech. Whereupon all the other boys draw long breaths, and begin to stare about and take it easy. They are all safe; Arthur is the head of the form, and sure to be able to construe, and that will tide on safely till the hour strikes.

Arthur proceeds to read out the passage in Greek before construing it, as the custom is. Tom, who isn’t paying much attention, is suddenly caught by the falter in his voice as he reads the two lines—

alla su ton g' epeessi paraifamenoV katerukeV,

Sh t' alanofrosunh kai soiV alanoiV epeessin

He looks up at Arthur. “Why, bless us,” thinks he, “what can be the matter with the young ’un? He’s never going to get floored. He’s sure to have learnt to the end.” Next moment he is re-assured by the spirited tone in which Arthur begins construing, and betakes himself to drawing dogs’ heads in his note- book, while the master, evidently enjoying the change, turns his back on the middle bench and stands before Arthur, beating a sort of time with his hand and foot, and saying, “Yes, yes,” “very well,” as Arthur goes on.

But as he nears the fatal two lines, Tom catches that falter and again looks up. He sees that there is something the matter, Arthur can hardly get on at all. What can it be?

Suddenly at this point Arthur breaks down altogether, and fairly bursts out crying, and dashes the cuff of his jacket across his eyes, blushing up to the roots of his hair, and feeling as if he should like to go down suddenly through the floor. The whole form are taken aback; most of them stare stupidly at him, while those who are gifted with presence of mind find their places and look steadily at their books, in hopes of not catching the master’s eye and getting called up in Arthur’s place.

The master looks puzzled for a moment, and then seeing, as the fact is, that the boy is really affected to tears by the most touching thing in Homer, perhaps in all profane poetry put together, steps up to him and lays his hand kindly on his shoulder, saying, “Never mind, my little man, you’ve construed very well. Stop a minute, there’s no hurry.”