After awhile the rain came down on their flushed, hot limbs, startling, delicious. A sudden, ice-cold shower burst in a great weight upon them. They stood up to it with pleasure. Ursula received the stream of it upon her breasts and her limbs. It made her cold, and a deep, bottomless silence welled up in her, as if bottomless darkness were returning upon her.

So the heat vanished away, she was chilled, as if from a waking up. She ran indoors, a chill, non-existent thing, wanting to get away. She wanted the light, the presence of other people, the external connection with the many. Above all she wanted to lose herself among natural surroundings.

She took her leave of her mistress and returned home. She was glad to be on the station with a crowd of Saturday-night people, glad to sit in the lighted, crowded railway carriage. Only she did not want to meet anybody she knew. She did not want to talk. She was alone, immune.

All this stir and seethe of lights and people was but the rim, the shores of a great inner darkness and void. She wanted very much to be on the seething, partially illuminated shore, for within her was the void reality of dark space.

For a time Miss Inger, her mistress, was gone; she was only a dark void, and Ursula was free as a shade walking in an underworld of extinction, of oblivion. Ursula was glad, with a kind of motionless, lifeless gladness, that her mistress was extinct, gone out of her.

In the morning, however, the love was there again, burning, burning. She remembered yesterday, and she wanted more, always more. She wanted to be with her mistress. All separation from her mistress was a restriction from living. Why could she not go to her to-day, to-day? Why must she pace about revoked at Cossethay whilst her mistress was elsewhere? She sat down and wrote a burning, passionate love-letter: she could not help it.

The two women became intimate. Their lives seemed suddenly to fuse into one, inseparable. Ursula went to Winifred’s lodging, she spent there her only living hours. Winifred was very fond of water,—of swimming, of rowing. She belonged to various athletic clubs. Many delicious afternoons the two girls spent in a light boat on the river, Winifred always rowing. Indeed, Winifred seemed to delight in having Ursula in her charge, in giving things to the girl, in filling and enrichening her life.

So that Ursula developed rapidly during the few months of her intimacy with her mistress. Winifred had had a scientific education. She had known many clever people. She wanted to bring Ursula to her own position of thought.

They took religion and rid it of its dogmas, its falsehoods. Winifred humanised it all. Gradually it dawned upon Ursula that all the religion she knew was but a particular clothing to a human aspiration. The aspiration was the real thing,—the clothing was a matter almost of national taste or need. The Greeks had a naked Apollo, the Christians a white-robed Christ, the Buddhists a royal prince, the Egyptians their Osiris. Religions were local and religion was universal. Christianity was a local branch. There was as yet no assimilation of local religions into universal religion.

In religion there were the two great motives of fear and love. The motive of fear was as great as the motive of love. Christianity accepted crucifixion to escape from fear; “Do your worst to me, that I may have no more fear of the worst.” But that which was feared was not necessarily all evil, and that which was loved not necessarily all good. Fear shall become reverence, and reverence is submission in identification; love shall become triumph, and triumph is delight in identification.

So much she talked of religion, getting the gist of many writings. In philosophy she was brought to the conclusion that the human desire is the criterion of all truth and all good. Truth does not lie beyond humanity, but is one of the products of the human mind and feeling. There is really nothing to fear. The motive of fear in religion is base, and must be left to the ancient worshippers of power, worship of Moloch.


  By PanEris using Melati.

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