was the table at which his companions sat, their munching profiles rising sharp against the panes; while to the side was the milk-house door, through which were visible the rectangular leads in rows, full to the brim with the morning's milk. At the further end the great churn could be seen revolving, and its slip- slopping heard - the moving power being discernible through the window in the form of a spiritless horse walking in a circle and driven by a boy,

For several days after Tess's arrival Clare, sitting abstractedly reading from some book, periodical, or piece of music just come by post, hardly noticed that she was present at table. She talked so little, and the other maids talked so much, that the babble did not strike him as possessing a new note, and he was ever in the habit of neglecting the particulars of an outward scene for the general impression. One day, however, when he had been conning one of his music-scores, and by force of imagination was hearing the tune in his head, he lapsed into listlessness, and the music-sheet rolled to the hearth. He looked at the fire of logs, with its one flame pirouetting on the top in a dying dance after the breakfast- cooking and boiling, and it seemed to jig to his inward tune; also at the two chimney crooks dangling down from the cotterer or cross-bar, plumed with soot which quivered to the same melody; also at the half-empty kettle whining an accompaniment. The conversation at the table mixed in with his phantasmal orchestra till he thought: `What a fluty voice one of those milkmaids has! I suppose it is the new one.'

Clare looked round upon her, seated with the others.

She was not looking towards him. Indeed, owing to his long silence, his presence in the room was almost forgotten.

`I don't know about ghosts,' she was saying; `but I do know that our souls can be made to go outside our bodies when we are alive.'

The dairyman turned to her with his mouth full, his eyes charged with serious inquiry, and his great knife and fork (breakfasts were breakfasts here) planted erect on the table, like the beginning of a gallows.

`What - really now? And is it so, maidy?' he said.

`A very easy way to feel 'em go,' continued Tess, `is to lie on the grass at night and look straight up at some big bright star; and, by fixing your mind upon it, you will soon find that you are hundreds and hundreds o' miles away from your body, which you don't seem to want at all.'

The dairyman removed his hard gaze from Tess, and fixed it on his wife.

`Now that's a rum thing, Christianner - hey? To think o' the miles I've vamped o' starlight nights these last thirty years, courting, or trading, or for doctor, or for nurse, and yet never had the least notion o' that till now, or feeled my soul rise so much as an inch above my shirt-collar.'

The general attention being drawn to her, including that of the dairyman's pupil, Tess flushed, and remarking evasively that it was only a fancy, resumed her breakfast.

Clare continued to observe her. She soon finished her eating, and having a consciousness that Clare was regarding her, began to trace imaginary patterns on the tablecloth with her forefinger with the constraint of a domestic animal that perceives itself to be watched.

`What a fresh and virginal daughter of Nature that milkmaid is!' he said to himself.

And then he seemed to discern in her something that was familiar, something which carried him back into a joyous and unforeseeing past, before the necessity of taking thought had made the heavens gray. He concluded that he had beheld her before; where he could not tell. A casual encounter during some country ramble it certainly had been, and he was not greatly curious about it. But the circumstance