A four-centred Tudor arch was over the entrance, and over the arch the signboard, now visible in the rays of an opposite lamp. Hereon the Mariners, who had been represented by the artist as persons of two dimensions only - in other words, flat as a shadow - were standing in a row in paralysed attitudes. Being on the sunny side of the street the three comrades had suffered largely from warping, splitting, fading, and shrinkage, so that they were but a half-invisible film upon the reality of the grain, and knots, and nails, which composed the signboard. As a matter of fact, this state of things was not so much owing to Stannidge the landlord's neglect, as from the lack of a painter in Casterbridge who would undertake to reproduce the features of men so traditional.

A long, narrow dimly-lit passage gave access to the inn, within which passage the horses going to their stalls at the back, and the coming and departing human guests, rubbed shoulders indiscriminately, the latter running no slight risk of having their toes trodden upon by the animals. The good stabling and the good ale of the Mariners, thought somewhat difficult to reach on account of there being but this narrow way to both, were nevertheless perserveringly sought out by the sagacious old heads who knew what was what in Casterbridge.

Henchard stood without the inn for a few instants; then lowering the dignity of his presence as much as possible by buttoning the brown holland coat over his shirt-front, and in other ways toning himself down to his ordinary everyday appearance, he entered the inn door.


  By PanEris using Melati.

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