lodgings; neither of them was willing to live in Fyodor Pavlovitch’s empty house. Alyosha had a furnished room in the house of some working people. Ivan lived some distance from him. He had taken a roomy and fairly comfortable lodge attached to a fine house that belonged to a well-to-do lady, the widow of an official. But his only attendant was a deaf and rheumatic old crone who went to bed at six o’clock every evening and got up at six in the morning. Ivan had become remarkably indifferent to his comforts of late, and very fond of being alone. He did everything for himself in the one room he lived in, and rarely entered any of the other rooms in his abode.

He reached the gate of the house and had his hand on the bell, when he suddenly stopped. He felt that he was trembling all over with anger. Suddenly he let go of the bell, turned back with a curse, and walked with rapid steps in the opposite direction. He walked a mile and a half to a tiny, slanting, wooden house, almost a hut, where Marya Kondratyevna, the neighbour who used to come to Fyodor Pavlovitch’s kitchen for soup and to whom Smerdyakov had once sung his songs and played on the guitar, was now lodging. She had sold their little house, and was now living here with her mother. Smerdyakov, who was ill—almost dying—had been with them ever since Fyodor Pavlovitch’s death. It was to him Ivan was going now, drawn by a sudden and irresistible prompting.


  By PanEris using Melati.

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