Chapter 5

Lebeziatnikov looked perturbed.

“I’ve come to you, Sofya Semyonovna,” he began. “Excuse me … I thought I should find you,” he said, addressing Raskolnikov suddenly, “that is, I didn’t mean anything … of that sort … But I just thought … Katerina Ivanovna has gone out of her mind,” he blurted out suddenly, turning from Raskolnikov to Sonia.

Sonia screamed.

“At least it seems so. But … we don’t know what to do, you see! She came back—she seems to have been turned out somewhere, perhaps beaten. … So it seems at least, … She had run to your father’s former chief, she didn’t find him at home: he was dining at some other general’s. … Only fancy, she rushed off there, to the other general’s, and, imagine, she was so persistent that she managed to get the chief to see her, had him fetched out from dinner, it seems. You can imagine what happened. She was turned out, of course; but, according to her own story, she abused him and threw something at him. One may well believe it. … How it is she wasn’t taken up, I can’t understand! Now she is telling everyone, including Amalia Ivanovna; but it’s difficult to understand her, she is screaming and flinging herself about. … Oh yes, she shouts that since everyone has abandoned her, she will take the children and go into the street with a barrel-organ, and the children will sing and dance, and she too, and collect money, and will go every day under the general’s window … ‘to let everyone see well-born children, whose father was an official, begging in the street.’ She keeps beating the children and they are all crying. She is teaching Lida to sing ‘My Village,’ the boy to dance, Polenka the same. She is tearing up all the clothes, and making them little caps like actors; she means to carry a tin basin and make it tinkle, instead of music. … She won’t listen to anything. … Imagine the state of things! It’s beyond anything!”

Lebeziatnikov would have gone on, but Sonia, who had heard him almost breathless, snatched up her cloak and hat, and ran out of the room, putting on her things as she went. Raskolnikov followed her and Lebeziatnikov came after him.

“She has certainly gone mad!” he said to Raskolnikov, as they went out into the street. “I didn’t want to frighten Sofya Semyonovna, so I said ‘it seemed like it,’ but there isn’t a doubt of it. They say that in consumption the tubercles sometimes occur in the brain; it’s a pity I know nothing of medicine. I did try to persuade her, but she wouldn’t listen.”

“Did you talk to her about the tubercles?”

“Not precisely of the tubercles. Besides, she wouldn’t have understood! But what I say is, that if you convince a person logically that he has nothing to cry about, he’ll stop crying. That’s clear. Is it your conviction that he won’t?”

“Life would be too easy if it were so,” answered Raskolnikov.

“Excuse me, excuse me; of course it would be rather difficult for Katerina Ivanovna to understand, but do you know that in Paris they have been conducting serious experiments as to the possibility of curing the insane, simply by logical argument? One professor there, a scientific man of standing, lately dead, believed in the possibility of such treatment. His idea was that there’s nothing really wrong with the physical organism of the insane, and that insanity is, so to say, a logical mistake, an error of judgment, an incorrect view of things. He gradually showed the madman his error and, would you believe it, they say he was successful? But as he made use of douches too, how far success was due to that treatment remains uncertain. … So it seems at least.”

Raskolnikov had long ceased to listen. Reaching the house where he lived, he nodded to Lebeziatnikov and went in at the gate. Lebeziatnikov woke up with a start, looked about him and hurried on.

Raskolnikov went into his little room and stood still in the middle of it. Why had he come back here? He looked at the yellow and tattered paper, at the dust, at his sofa. … From the yard came a loud continuous