“Guess,” he said, with the same distorted helpless smile.

A shudder passed over her.

“But you … why do you frighten me like this?” she said, smiling like a child.

“I must be a great friend of his … since I know,” Raskolnikov went on, still gazing into her face, as though he could not turn his eyes away. “He … did not mean to kill that Lizaveta … he … killed her accidentally. … He meant to kill the old woman when she was alone and he went there … and then Lizaveta came in … he killed her too.”

Another awful moment passed. Both still gazed at one another.

“You can’t guess, then?” he asked suddenly, feeling as though he were flinging himself down from a steeple.

“N-no …” whispered Sonia.

“Take a good look.”

As soon as he had said this again, the same familiar sensation froze his heart. He looked at her and all at once seemed to see in her face the face of Lizaveta. He remembered clearly the expression in Lizaveta’s face, when he approached her with the axe and she stepped back to the wall, putting out her hand, with childish terror in her face, looking as little children do when they begin to be frightened of something, looking intently and uneasily at what frightens them, shrinking back and holding out their little hands on the point of crying. Almost the same thing happened now to Sonia. With the same helplessness and the same terror, she looked at him for a while and, suddenly putting out her left hand, pressed her fingers faintly against his breast and slowly began to get up from the bed, moving further from him and keeping her eyes fixed even more immovably on him. Her terror infected him. The same fear showed itself on his face. In the same way he stared at her and almost with the same childish smile.

“Have you guessed?” he whispered at last.

“Good God!” broke in an awful wail from her bosom.

She sank helplessly on the bed with her face in the pillows, but a moment later she got up, moved quickly to him, seized both his hands and, gripping them tight in her thin fingers, began looking into his face again with the same intent stare. In this last desperate look she tried to look into him and catch some last hope. But there was no hope; there was no doubt remaining; it was all true! Later on, indeed, when she recalled that moment, she thought it strange and wondered why she had seen at once that there was no doubt. She could not have said, for instance, that she had foreseen something of the sort—and yet now, as soon as he told her, she suddenly fancied that she had really foreseen this very thing.

“Stop, Sonia, enough! don’t torture me,” he begged her miserably.

It was not at all, not at all like this he had thought of telling her, but this is how it happened.

She jumped up, seeming not to know what she was doing, and, wringing her hands, walked into the middle of the room; but quickly went back and sat down again beside him, her shoulder almost touching his. All of a sudden she started as though she had been stabbed, uttered a cry and fell on her knees before him, she did not know why.

“What have you done—what have you done to yourself?” she said in despair, and, jumping up, she flung herself on his neck, threw her arms round him, and held him tightly.

Raskolnikov drew back and looked at her with a mournful smile.


  By PanEris using Melati.

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