An Exquisite of '92

Sir Percy Blakeney, as the chronicles of the time inform us, was in this year of grace 1792, still a year or two on the right side of thirty. Tall, above the average, even for an Englishman, broad-shouldered and massively built, he would have been called unusually good-looking, but for a certain lazy expression in his deep-set blue eyes, and that perpetual inane laugh which seemed to disfigure his strong, clearly-cut mouth.

It was nearly a year ago now that Sir Percy Blakeney, Bart., one of the richest men in England, leader of all the fashions, and intimate friend of the Prince of Wales, had astonished fashionable society in London and Bath by bringing home, from one of his journeys abroad, a beautiful, fascinating, clever, French wife. He, the sleepiest, dullest, most British Britisher that had ever set a pretty woman yawning, had secured a brilliant matrimonial prize for which, as all chroniclers aver, there had been many competitors.

Marguerite St. Just had first made her dèbut in artistic Parisian circles at the very moment when the greatest social upheaval the world has ever known was taking place within its very walls. Scarcely eighteen, lavishly gifted with beauty and talent, chaperoned only by a young and devoted brother, she had soon gathered round her, in her charming apartment in the Rue Richelieu, a coterie which was as brilliant as it was exclusive—exclusive, that is to say, only from one point of view: Marguerite St. Just was from principle and by conviction a republican—equality of birth was her motto—inequality of fortune was in her eyes a mere untoward accident, but the only inequality she admitted was that of talent. “Money and titles may be hereditary,” she would say, “but brains are not,” and thus her charming salon was reserved for originality and intellect, for brilliance and wit, for clever men and talented women, and the entrance into it was soon looked upon in the world of intellect—which even in those days and in those troublous times found its pivot in Paris—as the seal to an artistic career.

Clever men, distinguished men, and even men of exalted station formed a perpetual and brilliant court round the fascinating young actress of the Comèdie Française, and she glided through republican, revolutionary, blood-thirsty Paris like a shining comet with a trail behind her of all that was most distinguished, most interesting, in intellectual Europe.

Then the climax came. Some smiled indulgently and called it an artistic eccentricity, others looked upon it as a wise provision, in view of the many events which were crowding thick and fast in Paris just then, but to all, the real motive of that climax remained a puzzle and a mystery. Anyway, Marguerite St. Just married Sir Percy Blakeney one fine day, just like that, without any warning to her friends, without a soirèe de contrat or dîner de fiançailles or other appurtenances of a fashionable French wedding.

How that stupid, dull Englishman ever came to be admitted within the intellectual circle which revolved round “the cleverest woman in Europe,” as her friends unanimously called her, no one ventured to guess—golden key is said to open every door, asserted the more malignantly inclined.

Enough, she married him, and the “cleverest woman in Europe” had linked her fate to that “demmed idiot” Blakeney, and not even her most intimate friends could assign to this strange step any other motive than that of supreme eccentricity. Those friends who knew, laughed to scorn the idea that Marguerite St. Just had married a fool for the sake of the worldly advantages with which he might endow her. They knew, as a matter of fact, that Marguerite St. Just cared nothing about money, and still less about a title; moreover, there were at least half a dozen other men in the cosmopolitan world equally well-born, if not so wealthy as Blakeney, who would have been only too happy to give Marguerite St. Just any position she might choose to covet.

As for Sir Percy himself, he was universally voted to be totally unqualified for the onerous post he had taken upon himself. His chief qualifications for it seemed to consist in his blind adoration for her, his great wealth, and the high favour in which he stood at the English court; but London society thought that, taking into consideration his own intellectual limitations, it would have been wiser on his part had he bestowed those worldly advantages upon a less brilliant and witty wife.


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