resentment of Achilles, distinguished from the hot, insulting passion of Agamemnon! How widely doth the brutal courage of Ajax differ from the amiable bravery of Diomedes; and the wisdom of Nestor, which is the result of long reflection and experience, from the cunning of Ulysses, the effect of art and subtlety only! If we consider their variety, we may cry out, with Aristotle in his 24th chapter, that no part of this divine poem is destitute of manners. Indeed, I might affirm that there is scarce a character in human nature untouched in some part or other. And, as there is no passion which he is not able to describe, so is there none in his reader which he cannot raise. If he hath any superior excellence to the rest, I have been inclined to fancy it is in the pathetic. I am sure I never read with dry eyes the two episodes where Andromache is introduced in the former lamenting the danger, and in the latter the death, of Hector. The images are so extremely tender in these, that I am convinced the poet had the worthiest and best heart imaginable. Nor can I help observing how Sophocles falls short of the beauties of the original, in that imitation of the dissuasive speech of Andromache which he hath put into the mouth of Tecmessa. And yet Sophocles was the greatest genius who ever wrote tragedy; nor have any of his successors in that art, that is to say, neither Euripides nor Seneca the tragedian, been able to come near him. As to his sentiments and diction, I need say nothing: the former are particularly remarkable for the utmost perfection on that head, namely, propriety; and as to the latter, Aristotle, whom doubtless you have read over and over, is very diffuse. I shall mention but one thing more, which that great critic in his division of tragedy calls Opsis, or the scenery; and which is as proper to the epic as to the drama, with this difference, that in the former it falls to the share of the poet, and in the latter to that of the painter. But did ever painter imagine a scene like that in the 13th and 14th Iliads? where the reader sees at one view the prospect of Troy, with the army drawn up before it; the Grecian army, camp, and fleet; Jupiter sitting on Mount Ida, with his head wrapt in a cloud, and a thunderbolt in his hand, looking towards Thrace; Neptune driving through the sea, which divides on each side to permit his passage, and then seating himself on Mount Samos; the heavens opened, and the deities all seated on their thrones. This is sublime! This is poetry!” Adams then rapt out a hundred Greek verses, and with such a voice, emphasis, and action, that he almost frightened the women; and as for the gentleman, he was so far from entertaining any further suspicion of Adams, that he now doubted whether he had not a bishop in his house. He ran into the most extravagant encomiums on his learning; and the goodness of his heart began to dilate to all the strangers. He said he had great compassion for the poor young woman, who looked pale and faint with her journey; and in truth he conceived a much higher opinion of her quality than it deserved. He said he was sorry he could not accommodate them all; but if they were contented with his fireside, he would sit up with the men; and the young woman might, if she pleased, partake his wife’s bed, which he advised her to; for that they must walk upwards of a mile to any house of entertainment, and that not very good neither. Adams, who liked his seat, his ale, his tobacco, and his company, persuaded Fanny to accept this kind proposal, in which sollicitation he was seconded by Joseph. Nor was she very difficultly prevailed on; for she had slept little the last night and not at all the preceding; so that love itself was scarce able to keep her eyes open any longer. The offer, therefore, being kindly accepted, the good woman produced everything eatable in her house on the table, and the guests, being heartily invited, as heartily regaled themselves, especially parson Adams. As to the other two, they were examples of the truth of that physical observation, that love, like other sweet things, is no whetter of the stomach.

Supper was no sooner ended, than Fanny at her own request retired, and the good woman bore her company. The man of the house, Adams, and Joseph, who would modestly have withdrawn, had not the gentleman insisted on the contrary, drew round the fireside, where Adams (to use his own words) replenished his pipe, and the gentleman produced a bottle of excellent beer, being the best liquor in his house.

The modest behaviour of Joseph, with the gracefulness of his person, the character which Adams gave of him, and the friendship he seemed to entertain for him, began to work on the gentleman’s affections, and raised in him a curiosity to know the singularity which Adams had mentioned in his history. This curiosity Adams was no sooner informed of than, with Joseph’s consent, he agreed to gratify it; and accordingly related all he knew, with as much tenderness as was possible for the character of Lady Booby; and concluded with the long, faithful, and mutual passion between him and Fanny, not concealing the meanness of her birth and education. These latter circumstances entirely cured a jealousy which had lately risen in the