the most upo’ that head—eh, Mr. Macey? You remember when first Mr. Lammeter’s father come into these parts and took the Warrens?”

Mr. Macey, tailor and parish clerk, the latter of which functions rheumatism had of late obliged him to share with a small-featured young man who sat opposite him, held his white head on one side, and twirled his thumbs with an air of complacency, slightly seasoned with criticism. He smiled pityingly in answer to the landlord’s appeal, and said,—

“Ay, ay; I know, I know; but I let other folks talk. I’ve laid by now, and gev up to the young uns. Ask them as have been to school at Tarley; they’ve learnt pernouncing; that’s come up since my day.”

“If you’re pointing at me, Mr. Macey,” said the deputy-clerk, with an air of anxious propriety, “I’m nowise a man to speak out of my place. As the psalm says,—

‘I know what’s right, nor only so,
But also practise what I know.’ ”

“Well, then, I wish you’d keep hold o’ the tune, when it’s set for you; if you’re for practising, I wish you’d practise that,” said a large jocose-looking man, an excellent wheelwright in his weekday capacity, but on Sundays leader of the choir. He winked, as he spoke, at two of the company, who were known officially as the “bassoon” and the “key-bugle,” in the confidence that he was expressing the sense of the musical profession in Raveloe.

Mr. Tookey, the deputy-clerk, who shared the unpopularity common to deputies, turned very red, but replied with careful moderation, “Mr. Winthrop, if you’ll bring me any proof as I’m in the wrong, I’m not the man to say I won’t alter. But there’s people set up their own ears for a standard, and expect the whole choir to follow ’em. There may be two opinions, I hope.”

“Ay, ay,” said Mr. Macey, who felt very well satisfied with this attack on youthful presumption; “you’re right there, Tookey. There’s allays two ’pinions: there’s the ’pinion a man has of himsen, and there’s the ’pinion other folks have on him. There’d be two ’pinions about a cracked bell, if the bell could hear itself.”

“Well, Mr. Macey,” said poor Tookey, serious amidst the general laughter, “I undertook to partially fill up the office of parish-clerk by Mr. Crackenthorp’s desire, whenever your infirmities should make you unfitting; and it’s one of the rights thereof to sing in the choir, else why have you done the same yourself?”

“Ah! but the old gentleman and you are two folks,” said Ben Winthrop. “The old gentleman’s got a gift. Why, the Squire used to invite him to take a glass, only to hear him sing the ‘Red Rovier;’—didn’t he, Mr. Macey?—It’s a nat’ral gift. There’s my little lad Aaron, he’s got a gift—he can sing a tune off straight, like a throstle. But as for you, Master Tookey, you’d better stick to your ‘Amens’; your voice is well enough when you keep it up in your nose. It’s your inside as isn’t right made for music; it’s no better nor a hollow stalk.”

This kind of unflinching frankness was the most piquant form of joke to the company at the Rainbow, and Ben Winthrop’s insult was felt by everybody to have capped Mr. Macey’s epigram.

“I see what it is plain enough,” said Mr. Tookey, unable to keep cool any longer. “There’s a consperacy to turn me out o’ the choir, as I shouldn’t share the Christmas money—that’s where it is. But I shall speak to Mr. Crackenthorp; I’ll not be put upon by no man.”

“Nay, nay, Tookey,” said Ben Winthrop; “we’ll pay you your share to keep out of it—that’s what we’ll do. There’s things folks ’ud pay to be rid on, besides varmin.”

“Come, come,” said the landlord, who felt that paying people for their absence was a principle dangerous to society; “a joke’s a joke. We’re all good friends here, I hope. We must give and take. You’re both right and you’re both wrong, as I say. I agree wi’ Mr. Macey here, as there’s two opinions; and if mine was