“I beg your pardon, sir,” said Oliver at length: seeing that no other visitor made his appearance; “did you knock?”

“I kicked,” replied the charity-boy.

“Did you want a coffin, sir?” inquired Oliver, innocently.

At this the charity-boy looked monstrous fierce; and said that Oliver would want one before long, if he cut jokes with his superiors in that way.

“Yer don't know who I am, I suppose, Work'us?” said the charity-boy, in continuation: descending from the top of the post, meanwhile, with edifying gravity.

“No, sir,” rejoined Oliver.

“I'm Mister Noah Claypole,” said the charity-boy, “and you're under me. Take down the shutters, yer idle young ruffian!” With this, Mr. Claypole administered a kick to Oliver, and entered the shop with a dignified air, which did him great credit. It is difficult for a large-headed, small-eyed youth, of lumbering make and heavy countenance, to look dignified under any circumstances; but it is more especially so, when superadded to these personal attractions are a red nose and yellow smalls.

Oliver, having taken down the shutters, and broken a pane of glass in his efforts to stagger away beneath the weight of the first one to a small court at the side of the house in which they were kept during the day, was graciously assisted by Noah: who having consoled him with the assurance that “he'd catch it,” condescended to help him. Mr. Sowerberry came down soon after. Shortly afterwards, Mrs. Sowerberry appeared. Oliver having “caught it,” in fulfilment of Noah's prediction, followed that young gentleman down the stairs to breakfast.

“Come near the fire, Noah,” said Charlotte. “I saved a nice little bit of bacon for you from master's breakfast. Oliver, shut that door at Mister Noah's back, and take them bits that I've put out on the cover of the bread-pan. There's your tea; take it away to that box, and drink it there, and make haste, for they'll want you to mind the shop. D'ye hear?”

“D'ye hear, Work'us?” said Noah Claypole.

“Lor, Noah!” said Charlotte, “what a rum creature you are! Why don't you let the boy alone?”

“Let him alone!” said Noah. “Why everybody lets him alone enough, for the matter of that. Neither his father nor his mother will ever interfere with him. All his relations let him have his own way pretty well. Eh, Charlotte? He! he! he!”

“Oh, you queer soul!” said Charlotte, bursting into a hearty laugh, in which she was joined by Noah; after which they both looked scornfully at poor Oliver Twist, as he sat shivering on the box in the coldest corner of the room, and ate the stale pieces which had been specially reserved for him.

Noah was a charity-boy, but not a workhouse orphan. No chance-child was he, for he could trace his genealogy all the way back to his parents, who lived hard by; his mother being a washerwoman, and his father a drunken soldier, discharged with a wooden leg, and a diurnal pension of twopence-halfpenny and an unstateable fraction. The shop-boys in the neighbourhood had long been in the habit of branding Noah, in the public streets, with the ignominious epithets of “leathers,” “charity,” and the like; and Noah had borne them without reply. But, now that fortune had cast in his way a nameless orphan, at whom even the meanest could point the finger of scorn, he retorted on him with interest. This affords charming food for contemplation. It shows us what a beautiful thing human nature may be made to be; and how impartially the same amiable qualities are developed in the finest lord and the dirtiest charity-boy.


  By PanEris using Melati.

Previous chapter/page Back Home Email this Search Discuss Bookmark Next chapter/page
Copyright: All texts on Bibliomania are © Bibliomania.com Ltd, and may not be reproduced in any form without our written permission. See our FAQ for more details.