by the company, who make embarrassing pauses when it is falling due, and by waiting for it, render it more emphatic when it comes. The stoney aunt has likewise an injurious way of rejecting all dishes whereof Lady Tippins partakes: saying aloud when they are proffered to her, “No, no, no, not for me. Take it away!” As with a set purpose of implying a misgiving that if nourished upon similar meats, she might come to be like that charmer, which would be a fatal consummation. Aware of her enemy, Lady Tippins tries a youthful sally or two, and tries the eye-glass; but, from the impenetrable cap and snorting armour of the stoney aunt all weapons rebound powerless.

Another objectionable circumstance is, that the pokey unknowns support each other in being unimpressible. They persist in not being frightened by the gold and silver camels, and they are banded together to defy the elaborately chased ice-pails. They even seem to unite in some vague utterance of the sentiment that the landlord and landlady will make a pretty good profit out of this, and they almost carry themselves like customers. Nor is there compensating influence in the adorable bridesmaids; for, having very little interest in the bride, and none at all in one another, those lovely beings become, each one on her own account, depreciatingly contemplative of the millinery present; while the bridegroom’s man, exhausted, in the back of his chair, appears to be improving the occasion by penitentially contemplating all the wrong he has ever done; the difference between him and his friend Eugene, being, that the latter, in the back of his chair, appears to be contemplating all the wrong he would like to do — particularly to the present company.

In which state of affairs, the usual ceremonies rather droop and flag, and the splendid cake when cut by the fair hand of the bride has but an indigestible appearance. However, all the things indispensable to be said are said, and all the things indispensable to be done are done (including Lady Tippins’s yawning, falling asleep, and waking insensible), and there is hurried preparation for the nuptial journey to the Isle of Wight, and the outer air teems with brass bands and spectators. In full sight of whom, the malignant star of the Analytical has pre-ordained that pain and ridicule shall befall him. For he, standing on the doorsteps to grace the departure, is suddenly caught a most prodigious thump on the side of his head with a heavy shoe, which a Buffer in the hall, champagne-flushed and wild of aim, has borrowed on the spur of the moment from the pastry-cook’s porter, to cast after the departing pair as an auspicious omen.

So they all go up again into the gorgeous drawing-rooms — all of them flushed with breakfast, as having taken scarlatina sociably — and there the combined unknowns do malignant things with their legs to ottomans, and take as much as possible out of the splendid furniture. And so, Lady Tippins, quite undetermined whether to-day is the day before yesterday, or the day after to-morrow, or the week after next, fades away; and Mortimer Light-wood and Eugene fade away, and Twemlow fades away, and the stoney aunt goes away — she declines to fade, proving rock to the last — and even the unknowns are slowly strained off, and it is all over.

All over, that is to say, for the time being. But, there is another time to come, and it comes in about a fortnight, and it comes to Mr and Mrs Lammle on the sands at Shanklin, in the Isle of Wight.

Mr and Mrs Lammle have walked for some time on the Shanklin sands, and one may see by their footprints that they have not walked arm in arm, and that they have not walked in a straight track, and that they have walked in a moody humour; for, the lady has prodded little spirting holes in the damp sand before her with her parasol, and the gentleman has trailed his stick after him. As if he were of the Mephistopheles family indeed, and had walked with a drooping tail.

“Do you mean to tell me, then, Sophronia—”

Thus he begins after a long silence, when Sophronia flashes fiercely, and turns upon him.

“Don’t put it upon me, sir. I ask you, do you mean to tell me?”