The Storming of the Castle in the Air

The sun had gone down full four hours, and it was later than most travellers would like it to be for finding themselves outside the walls of Rome, when Mr Dorrit’s carriage, still on its last wearisome stage, rattled over the solitary Campagna. The savage herdsmen and the fierce-looking peasants who had chequered the way while the light lasted, had all gone down with the sun, and left the wilderness blank. At some turns of the road, a pale flare on the horizon, like an exhalation from the ruin-sown land, showed that the city was yet far off; but this poor relief was rare and short-lived. The carriage dipped down again into a hollow of the black dry sea, and for a long time there was nothing visible save its petrified swell and the gloomy sky.

Mr Dorrit, though he had his castle-building to engage his mind, could not be quite easy in that desolate place. He was far more curious, in every swerve of the carriage, and every cry of the postilions, than he had been since he quitted London. The valet on the box evidently quaked. The Courier in the rumble was not altogether comfortable in his mind. As often as Mr Dorrit let down the glass and looked back at him (which was very often), he saw him smoking John Chivery out, it is true, but still generally standing up the while and looking about him, like a man who had his suspicions, and kept upon his guard. Then would Mr Dorrit, pulling up the glass again, reflect that those postilions were cut-throat looking fellows, and that he would have done better to have slept at Civita Vecchia, and have started betimes in the morning. But, for all this, he worked at his castle in the intervals.

And now, fragments of ruinous enclosure, yawning window-gap and crazy wall, deserted houses, leaking wells, broken water-tanks, spectral cypress-trees, patches of tangled vine, and the changing of the track to a long, irregular, disordered lane where everything was crumbling away, from the unsightly buildings to the jolting road—now, these objects showed that they were nearing Rome. And now, a sudden twist and stoppage of the carriage inspired Mr Dorrit with the mistrust that the brigand moment was come for twisting him into a ditch and robbing him; until, letting down the glass again and looking out, he perceived himself assailed by nothing worse than a funeral procession, which came mechanically chanting by, with an indistinct show of dirty vestments, lurid torches, swinging censers, and a great cross borne before a priest. He was an ugly priest by torchlight; of a lowering aspect, with an overhanging brow; and as his eyes met those of Mr Dorrit, looking bareheaded out of the carriage, his lips, moving as they chanted, seemed to threaten that important traveller; likewise the action of his hand, which was in fact his manner of returning the traveller’s salutation, seemed to come in aid of that menace. So thought Mr Dorrit, made fanciful by the weariness of building and travelling, as the priest drifted past him, and the procession straggled away, taking its dead along with it. Upon their so-different way went Mr Dorrit’s company too; and soon, with their coach load of luxuries from the two great capitals of Europe, they were (like the Goths reversed) beating at the gates of Rome.

Mr Dorrit was not expected by his own people that night. He had been; but they had given him up until to-morrow, not doubting that it was later than he would care, in those parts, to be out. Thus, when his equipage stopped at his own gate, no one but the porter appeared to receive him. Was Miss Dorrit from home? he asked. No. She was within. Good, said Mr Dorrit to the assembling servants; let them keep where they were; let them help to unload the carriage; he would find Miss Dorrit for himself. So he went up his grand staircase, slowly, and tired, and looked into various chambers which were empty, until he saw a light in a small ante-room. It was a curtained nook, like a tent, within two other rooms; and it looked warm and bright in colour, as he approached it through the dark avenue they made.

There was a draped doorway, but no door; and as he stopped here, looking in unseen, he felt a pang. Surely not like jealousy? For why like jealousy? There was only his daughter and his brother there: he, with his chair drawn to the hearth, enjoying the warmth of the evening wood fire; she seated at a little table, busied with some embroidery work. Allowing for the great difference in the still-life of the picture, the figures were much the same as of old; his brother being sufficiently like himself to represent himself, for a moment, in the composition. So had he sat many a night, over a coal fire far away; so had she sat, devoted to him. Yet surely there was nothing to be jealous of in the old miserable poverty. Whence, then, the pang in his heart?

  By PanEris using Melati.

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