Something Right Somewhere

To be in the halting state of Mr Henry Gowan; to have left one of two powers in disgust; to want the necessary qualifications for finding promotion with another, and to be loitering moodily about on neutral ground, cursing both; is to be in a situation unwholesome for the mind, which time is not likely to improve. The worst class of sum worked in the every-day world is ciphered by the diseased arithmeticians who are always in the rule of Subtraction as to the merits and successes of others, and never in Addition as to their own.

The habit, too, of seeking some sort of recompense in the discontented boast of being disappointed, is a habit fraught with degeneracy. A certain idle carelessness and recklessness of consistency soon comes of it. To bring deserving things down by setting undeserving things up is one of its perverted delights; and there is no playing fast and loose with the truth, in any game, without growing the worse for it.

In his expressed opinions of all performances in the Art of painting that were completely destitute of merit, Gowan was the most liberal fellow on earth. He would declare such a man to have more power in his little finger (provided he had none), than such another had (provided he had much) in his whole mind and body. If the objection were taken that the thing commended was trash, he would reply, on behalf of his art, ‘My good fellow, what do we all turn out but trash? I turn out nothing else, and I make you a present of the confession.’

To make a vaunt of being poor was another of the incidents of his splenetic state, though this may have had the design in it of showing that he ought to be rich; just as he would publicly laud and decry the Barnacles, lest it should be forgotten that he belonged to the family. Howbeit, these two subjects were very often on his lips; and he managed them so well that he might have praised himself by the month together, and not have made himself out half so important a man as he did by his light disparagement of his claims on anybody’s consideration.

Out of this same airy talk of his, it always soon came to be understood, wherever he and his wife went, that he had married against the wishes of his exalted relations, and had had much ado to prevail on them to countenance her. He never made the representation, on the contrary seemed to laugh the idea to scorn; but it did happen that, with all his pains to depreciate himself, he was always in the superior position. From the days of their honeymoon, Minnie Gowan felt sensible of being usually regarded as the wife of a man who had made a descent in marrying her, but whose chivalrous love for her had cancelled that inequality.

To Venice they had been accompanied by Monsieur Blandois of Paris, and at Venice Monsieur Blandois of Paris was very much in the society of Gowan. When they had first met this gallant gentleman at Geneva, Gowan had been undecided whether to kick him or encourage him; and had remained for about four- and-twenty hours, so troubled to settle the point to his satisfaction, that he had thought of tossing up a five-franc piece on the terms, ‘Tails, kick; heads, encourage,’ and abiding by the voice of the oracle. It chanced, however, that his wife expressed a dislike to the engaging Blandois, and that the balance of feeling in the hotel was against him. Upon it, Gowan resolved to encourage him.

Why this perversity, if it were not in a generous fit?—which it was not. Why should Gowan, very much the superior of Blandois of Paris, and very well able to pull that prepossessing gentleman to pieces and find out the stuff he was made of, take up with such a man? In the first place, he opposed the first separate wish he observed in his wife, because her father had paid his debts and it was desirable to take an early opportunity of asserting his independence. In the second place, he opposed the prevalent feeling, because with many capacities of being otherwise, he was an ill-conditioned man. He found a pleasure in declaring that a courtier with the refined manners of Blandois ought to rise to the greatest distinction in any polished country. He found a pleasure in setting up Blandois as the type of elegance, and making him a satire upon others who piqued themselves on personal graces. He seriously protested that the bow of Blandois was perfect, that the address of Blandois was irresistible, and that the picturesque ease of Blandois would be cheaply purchased (if it were not a gift, and unpurchasable) for a hundred