Her colour came and went. She even thought that both for her mother’s sake and for her own it was better that they should not be together for a little time. Anna, whom her mother liked, would be at hand.

“She could take her sewing into the room,” Miss Haldin continued, leading the way to the door. Then, addressing in German the maid who opened it before us, “You may tell my mother that this gentleman called and is gone with me to find Mr. Razumov. She must not be uneasy if I am away for some length of time.”

We passed out quickly into the street, and she took deep breaths of the cool night air. “I did not even ask you,” she murmured.

“I should think not,” I said, with a laugh. The manner of my reception by the great feminist could not be considered now. That he would be annoyed to see me, and probably treat me to some solemn insolence, I had no doubt, but I supposed that he would not absolutely dare to throw me out. And that was all I cared for. “Won’t you take my arm?” I asked.

She did so in silence, and neither of us said anything worth recording till I let her go first into the great hall of the hotel. It was brilliantly lighted, and with a good many people lounging about.

“I could very well go up there without you,” I suggested.

“I don’t like to be left waiting in this place,” she said in a low voice. “I will come too.”

I led her straight to the lift then. At the top floor the attendant directed us to the right: “End of the corridor.”

The walls were white, the carpet red, electric lights blazed in profusion, and the emptiness, the silence, the closed doors all alike and numbered, made me think of the perfect order of some severely luxurious model penitentiary on the solitary confinement principle. Up there under the roof of that enormous pile for housing travellers no sound of any kind reached us, the thick crimson felt muffled our footsteps completely. We hastened on, not looking at each other till we found ourselves before the very last door of that long passage. Then our eyes met, and we stood thus for a moment lending ear to a faint murmur of voices inside.

“I suppose this is it,” I whispered unnecessarily. I saw Miss Haldin’s lips move without a sound, and after my sharp knock the murmur of voices inside ceased. A profound stillness lasted for a few seconds, and then the door was brusquely opened by a short black-eyed woman in a red blouse, with a great lot of nearly white hair, done up negligently in an untidy and unpicturesque manner. Her thin, jetty eyebrows were drawn together. I learned afterwards with interest that she was the famous—or the notorious— Sophia Antonovna, but I was struck then by the quaint Mephistophelian character of her inquiring glance, because it was so curiously evil-less, so—I may say—un-devilish. It got softened still more as she looked up at Miss Haldin, who stated in her rich, even voice, her wish to see Peter Ivanovitch for a moment.

“I am Miss Haldin,” she added.

At this, with her brow completely smoothed out now, but without a word in answer, the woman in the red blouse walked away to a sofa and sat down, leaving the door wide open.

And from the sofa, her hands lying on her lap, she watched us enter, with her black, glittering eyes.

Miss Haldin advanced into the middle of the room; I, faithful to my part of mere attendant, remained by the door after closing it behind me. The room, quite a large one, but with a low ceiling, was scantily furnished, and an electric bulb with a porcelain shade pulled low down over a big table (with a very large map spread on it) left its distant parts in a dim, artificial twilight. Peter Ivanovitch was not to be seen, neither was Mr. Razumov present. But, on the sofa, near Sophia Antonovna, a bony-faced man with a goatee beard leaned forward with his hands on his knees, staring hard with a kindly expression.