“Well,” the nurse went on, heaving sighs between each word, “I’m afraid he’ll be put out seeing me have coffee along, you know men—”

“But you are to have some,” Emma repeated; “I will give you some. You bother me!”

“Oh, dear! my poor, dear lady! you see in consequence of his wounds he has terrible cramps in the chest. He even says that cider weakens him.”

“Do make haste, Mere Rollet!”

“Well,” the latter continued, making a curtsey, “if it weren’t asking too much,” and she curtsied once more, “if you would”—and her eyes begged—“a jar of brandy,” she said at last, “and I’d rub your little one’s feet with it; they’re as tender as one’s tongue.”

Once rid of the nurse, Emma again took Monsieur Leon’s arm. She walked fast for some time, then more slowly, and looking straight in front of her, her eyes rested on the shoulder of the young man, whose frock-coat had a black-velvety collar. His brown hair fell over it, straight and carefully arranged. She noticed his nails which were longer than one wore them at Yonville. It was one of the clerk’s chief occupations to trim them, and for this purpose he kept a special knife in his writing desk.

They returned to Yonville by the water-side. In the warm season the bank, wider than at other times, showed to their foot the garden walls whence a few steps led to the river. It flowed noiselessly, swift, and cold to the eye; long, thin grasses huddled together in it as the current drove them, and spread themselves upon the limpid water like streaming hair; sometimes at the tip of the reeds or on the leaf of a water- lily an insect with fine legs crawled or rested. The sun pierced with a ray the small blue bubbles of the waves that, breaking, followed each other; branchless old willows mirrored their grey backs in the water; beyond, all around, the meadows seemed empty. It was the dinner-hour at the farms, and the young woman and her companion heard nothing as they walked but the fall of their steps on the earth of the path, the words they spoke, and the sound of Emma’s dress rustling round her.

The walls of the gardens with pieces of bottle on their coping were hot as the glass windows of a conservatory. Wallflowers had sprung up between the bricks, and with the tip of her open sunshade Madame Bovary, as she passed, made some of their faded flowers crumble into a yellow dust, or a spray of overhanging honeysuckle and clematis caught in its fringe and dangled for a moment over the silk.

They were talking of a troupe of Spanish dancers who were expected shortly at the Rouen theatre.

“Are you going?” she asked.

“If I can,” he answered.

Had they nothing else to say to one another? Yet their eyes were full of more serious speech, and while they forced themselves to find trivial phrases, they felt the same languor stealing over them both. It was the whisper of the soul, deep, continuous, dominating that of their voices. Surprised with wonder at this strange sweetness, they did not think of speaking of the sensation or of seeking its cause. Coming joys, like tropical shores, throw over the immensity before them their inborn softness, an odorous wind, and we are lulled by this intoxication without a thought of the horizon that we do not even know.

In one place the ground had been trodden down by the cattle; they had to step on large green stones put here and there in the mud. She often stopped a moment to look where to place her foot, and tottering on a stone that shook, her arms outspread, her form bent forward with a look of indecision, she would laugh, afraid of falling into the puddles of water.

When they arrived in front of her garden, Madame Bovary opened the little gate, ran up the steps and disappeared.


  By PanEris using Melati.

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