I had many weary hours still to wait through. To while away the time, I looked at my letters. Among them was a letter from Betteredge.

I opened it eagerly. To my surprise and disappointment, it began with an apology warning me to expect no news of any importance. In the next sentence the everlasting Ezra Jennings appeared again! He had stopped Betteredge on the way out of the station, and had asked who I was. Informed on this point, he had mentioned having seen me to his master Mr. Candy. Mr. Candy hearing of this, had himself driven over to Betteredge, to express his regret at our having missed each other. He had a reason for wishing particularly to speak to me; and when I was next in the neighbourhood of Frizinghall, he begged I would let him know. Apart from a few characteristic utterances of the Betteredge philosophy, this was the sum and substance of my correspondent's letter. The warm-hearted, faithful old man acknowledged that he had written `mainly for the pleasure of writing to me.'

I crumpled up the letter in my pocket, and forgot it the moment after, in the all-absorbing interest of my coming interview with Rachel.

As the clock of Hampstead church struck three, I put Mr. Bruff's key into the lock of the door in the wall. When I first stepped into the garden, and while I was securing the door again on the inner side, I own to having felt a certain guilty doubtfulness about what might happen next. I looked furtively on either side of me, suspicious of the presence of some unexpected witness in some unknown corner of the garden. Nothing appeared to justify my apprehensions. The walks were, one and all, solitudes; and the birds and the bees were the only witnesses.

I passed through the garden; entered the conservatory; and crossed the small drawing-room. As I laid my hand on the door opposite, I heard a few plaintive chords struck on the piano in the room within. She had often idled over the instrument in this way, when I was staying at her mother's house. I was obliged to wait a little, to steady myself. The past and present rose side by side, at that supreme moment--and the contrast shook me.

After the lapse of a minute, I roused my manhood, and opened the door.