The entertainment was to conclude with "Bits of Shakespeare," as Sylvie expressed it, which were all to be done by Bruno, Sylvie being fully engaged in making the Frogs keep their heads towards the stage: after which Bruno was to appear in his real character, and tell them a Story of his own invention.

"Will the Story have a Moral to it?" I asked Sylvie, while Bruno was away behind the hedge, dressing for the first 'Bit.'

"I think so," Sylvie replied doubtfully. "There generally is a Moral, only he puts it in too soon."

"And will he say all the Bits of Shakespeare?"

"No, he'll only act them," said Sylvie. "He knows hardly any of the words. When I see what he's dressed like, I've to tell the Frogs

what character it is. They're always in such a hurry to guess! Don't you hear them all saying 'What ? What?'" And so indeed they were: it had only sounded like croaking, till Sylvie explained it, but I could now make out the "Wawt? Wawt?" quite distinctly.

"But why do they try to guess it before they see it?"

"I don't know," Sylvie said: "but they always do. Sometimes they begin guessing weeks and weeks before the day!"

(So now, when you hear the Frogs croaking in a particularly melancholy way, you may be sure they're trying to guess Bruno's next Shakespeare 'Bit'. Isn't that interesting?)

However, the chorus of guessing was cut short by Bruno, who suddenly rushed on from behind the scenes, and took a flying leap down among the Frogs, to re-arrange them.

For the oldest and fattest Frog----who had never been properly arranged so that he could see the stage, and so had no idea what was going on----was getting restless, and had upset several of the Frogs, and turned others round with their heads the wrong way. And it was no good at all, Bruno said, to do a 'Bit' of Shakespeare when there was nobody to look at it (you see he didn't count me as anybody). So he set to work with a stick, stirring them up, very much as you would stir up tea in a cup, till most of them had at least one great stupid eye gazing at the stage.

"Oo must come and sit among them, Sylvie," he said in despair, "I've put these two side-by-side, with their noses the same way, ever so many times, but they do squarrel so!"

So Sylvie took her place as 'Mistress of the Ceremonies,' and Bruno vanished again behind the scenes, to dress for the first 'Bit.'

"Hamlet!" was suddenly proclaimed, in the clear sweet tones I knew so well. The croaking all ceased in a moment, and I turned to the stage, in some curiosity to see what Bruno's ideas were as to the behaviour of Shakespeare's greatest Character.

According to this eminent interpreter of the Drama, Hamlet wore a short black cloak (which he chiefly used for muffling up his face, as if he suffered a good deal from toothache), and turned out his toes very much as he walked. "To be or not to be!" Hamlet remarked in a cheerful tone, and then turned head- over-heels several times, his cloak dropping off in the performance.

I felt a little disappointed: Bruno's conception of the part seemed so wanting in dignity. "Won't he say any more of the speech?" I whispered to Sylvie.

"I think not," Sylvie whispered in reply. "He generally turns head-over-heels when he doesn't know any more words."