‘Well, well,’ I said, ‘perhaps you have—still I don’t see them;’ and I handed him the paper without additional remark, not wishing to ruffle his temper; but I was much surprised at the turn affairs had taken; his ill humour puzzled me—and, as for the drawing of the beetle, there were positively no antennæ visible, and the whole did bear a very close resemblance to the ordinary cuts of a death’s-head.

He received the paper very peevishly, and was about to crumple it, apparently to throw it in the fire, when a casual glance at the design seemed suddenly to rivet his attention. In an instant his face grew violently red—in another as excessively pale. For some minutes he continued to scrutinise the drawing minutely where he sat. At length he arose, took a candle from the table, and proceeded to seat himself upon a sea-chest in the farthest corner of the room. Here again he made an anxious examination of the paper, turning it in all directions. He said nothing, however, and his conduct greatly astonished me; yet I thought it prudent not to exacerbate the growing moodiness of his temper by any comment. Presently he took from his coat pocket a wallet, placed the paper carefully in it, and deposited both in a writing- desk, which he locked. He now grew more composed in his demeanour; but his original air of enthusiasm had quite disappeared. Yet he seemed not so much sulky as abstracted. As the evening wore away he became more and more absorbed in reverie, from which no sallies of mine could arouse him. It had been my intention to pass the night at the hut, as I had frequently done before, but, seeing my host in this mood, I deemed it proper to take leave. He did not press me to remain, but, as I departed, he shook my hand with even more than his usual cordiality.

It was about a month after this (and during the interval I had seen nothing of Legrand) when I received a visit, at Charleston, from his man, Jupiter. I had never seen the good old negro look so dispirited, and I feared that some serious disaster had befallen my friend.

‘Well, Jup,’ said I, ‘what is the matter now?—how is your master?’

‘Why, to speak de troof, massa, him not so berry well as mought be.’

‘Not well! I am truly sorry to hear it. What does he complain of?’

‘Dar! dat’s it!—him neber plain of notin—but him bery sick for all dat.’

‘Very sick, Jupiter!—why didn’t you say so at once! Is he confined to bed?’

‘No, dat he aint!—he aint find nowhar—dat’s just whar de shoe pinch. My mind is got to be berry hebby bout poor Massa Will.’

‘Jupiter, I should like to understand what it is you are talking about. You say your master is sick. Hasn’t he told you what ails him?’

‘Why, massa, taint worf while for to git mad about de matter—Massa Will say noffin at all aint de matter wid him—but den what make him go about looking dis here way, wid he head down and he soldiers up, and as white as a gose? And den he keep a syphon all de time—’

‘Keeps a what, Jupiter?’

‘Keeps a syphon wid de figgurs on de slate—de queerest figgurs I ebber did see. Ise gittin to be skeered, I tell you. Hab for to keep mighty tight eye pon him noovers. Todder day he gib me slip fore de sun up and was gone de whole ob de blessed day. I had a big stick ready cut for to gib him deuced good beating when he did come—but Ise sich a fool dat I hadn’t de heart arter all—he look so berry poorly.’

‘Eh?—what?—ah yes!—upon the whole I think you had better not be too severe with the poor fellow —don’t flog him, Jupiter—he can’t very well stand it—but can you form no idea of what has occasioned this illness, or rather this change of conduct? Has anything unpleasant happened since I saw you?’